VIEW IN MY ROOM
Painting, Acrylic on Canvas
Size: 30 W x 24 H x 0.2 D in
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Lone Starr: All right, wait a minute, Barf. Put it down. What the hell's in this thing? What's this? I said, take only what you need to survive. Princess Vespa: My industrial strength hair dryer. And I can't live without it! Lone Starr: Okay, Princess, that's it. The fairy tale is over. Welcome to real life. You want this hot air machine, you carry it. Princess Vespa: You pick that up. Lone Starr: You pick it up. Princess Vespa: How dare you, you insolent peasant? Nobody talks to me that way. Nobody! Nobody! Lone Starr: Well, what have we got here? Will you look at her? Those flashing eyes, those flushed cheeks, those trembling lips. You know something, Princess? You are ugly when you're angry. Dot Matrix: Uh-oh from Spaceballs (1987) starring Rick Moranis, John Candy, and Bill Pullman. Written and Directed by Mel Brooks
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:30 W x 24 H x 0.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"
Artist featured by Saatchi Art in a collection
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