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The theme is simple. It's just about the idea of a daughter: Her presence, her look that makes her unique in the world. The illustration of her gaze. Serenity. She is very soberly painted. For a higher level of mystery. To halo this mystery. The chair is very schematic. There are some decorative areas in the picture, a few two dimensional and others with deepness. I made it quickly. It revealed by itself and I left it as such. I didn't want it to belong to me too much nor to treat it with mastery. I put emphasis on her hand. A breaking light. It's almost two-dimensional. The arms and legs are drawn schematically with a rough line that breaks the image. The black of the clothing only expresses the mystery, discretion and nobility to me. The portrait is painted on a wooden medium. It is very heavy. But that is in relation to the seriousness of the matter. It's like painting her on stone. (But I had no stone.) Because we want things to last. It is not framed. I would look for an equally massive and imposing frame. But connected to the space it will be put in: in style form and color.
The theme is simple. It's just about the idea of a daughter: Her presence, her look that makes her unique in the world. The illustration of her gaze. Serenity. She is very soberly painted. For a higher level of mystery. To halo this mystery. The chair is very schematic. There are some decorative areas in the picture, a few two dimensional and others with deepness. I made it quickly. It revealed by itself and I left it as such. I didn't want it to belong to me too much nor to treat it with mastery. I put emphasis on her hand. A breaking light. It's almost two-dimensional. The arms and legs are drawn schematically with a rough line that breaks the image. The black of the clothing only expresses the mystery, discretion and nobility to me. The portrait is painted on a wooden medium. It is very heavy. But that is in relation to the seriousness of the matter. It's like painting her on stone. (But I had no stone.) Because we want things to last. It is not framed. I would look for an equally massive and imposing frame. But connected to the space it will be put in: in style form and color.
The theme is simple. It's just about the idea of a daughter: Her presence, her look that makes her unique in the world. The illustration of her gaze. Serenity. She is very soberly painted. For a higher level of mystery. To halo this mystery. The chair is very schematic. There are some decorative areas in the picture, a few two dimensional and others with deepness. I made it quickly. It revealed by itself and I left it as such. I didn't want it to belong to me too much nor to treat it with mastery. I put emphasis on her hand. A breaking light. It's almost two-dimensional. The arms and legs are drawn schematically with a rough line that breaks the image. The black of the clothing only expresses the mystery, discretion and nobility to me. The portrait is painted on a wooden medium. It is very heavy. But that is in relation to the seriousness of the matter. It's like painting her on stone. (But I had no stone.) Because we want things to last. It is not framed. I would look for an equally massive and imposing frame. But connected to the space it will be put in: in style form and color.
signature: M Lazar
The theme is simple. It's just about the idea of a daughter: Her presence, her look that makes her unique in the world. The illustration of her gaze. Serenity. She is very soberly painted. For a higher level of mystery. To halo this mystery. The chair is very schematic. There are some decorative areas in the picture, a few two dimensional and others with deepness. I made it quickly. It revealed by itself and I left it as such. I didn't want it to belong to me too much nor to treat it with mastery. I put emphasis on her hand. A breaking light. It's almost two-dimensional. The arms and legs are drawn schematically with a rough line that breaks the image. The black of the clothing only expresses the mystery, discretion and nobility to me. The portrait is painted on a wooden medium. It is very heavy. But that is in relation to the seriousness of the matter. It's like painting her on stone. (But I had no stone.) Because we want things to last. It is not framed. I would look for an equally massive and imposing frame. But connected to the space it will be put in: in style form and color.
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daughter Painting

Magda Lazar

France

Painting, Acrylic on Wood

Size: 19.6 W x 23.1 H x 0.6 D in

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About The Artwork

The theme is simple. It's just about the idea of a daughter: Her presence, her look that makes her unique in the world. The illustration of her gaze. Serenity. She is very soberly painted. For a higher level of mystery. To halo this mystery. The chair is very schematic. There are some decorative areas in the picture, a few two dimensional and others with deepness. I made it quickly. It revealed by itself and I left it as such. I didn't want it to belong to me too much nor to treat it with mastery. I put emphasis on her hand. A breaking light. It's almost two-dimensional. The arms and legs are drawn schematically with a rough line that breaks the image. The black of the clothing only expresses the mystery, discretion and nobility to me. The portrait is painted on a wooden medium. It is very heavy. But that is in relation to the seriousness of the matter. It's like painting her on stone. (But I had no stone.) Because we want things to last. It is not framed. I would look for an equally massive and imposing frame. But connected to the space it will be put in: in style form and color.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:19.6 W x 23.1 H x 0.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am an artist who deals with the theme of emotions in achromatic or monochrome images, in styles such as abstract expressionism, Impressionism, realism, minimalism and others. The human figure, realistic or transformed, the objects of nature or those invented, all have symbolic value for these states. The lack of color requires a radical asceticism, an austere simplicity in an exuberant sensory world. A reduction in noise, waste of color and easy anecdotes, which invite to meditation and re-examination of the world around us. The sublimation of subtones and valuing insignificant details and undesirable objects, but which are linked to the forgotten essential, all creates a world upside down, that questions. Pointing to values such as compassion and empathy which pay attention to the misery of the world, its sadness, its loneliness, the dumbing of the voice, the lack of freedom and so on.

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