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Demolish Serenity Painting

Rustem Ibatullin

Turkey

Painting, Oil on Canvas

Size: 43.3 W x 35.4 H x 1.6 D in

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This artwork is not for sale.
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About The Artwork

The meaning of this bizzare painting's title can be understood in different ways: calmness of chaos, calmness in expectation of transformation into another state .... or the destruction of serenity, or destructive, abnormal serenity - an altered state of consciousness .... or the message "break the serenity and all the usual." This is a philosophical plot on the topic of an altered state, the impact of technogenic, artificial not only on natural ecology, but also on the internal ecology of a person. Dehumanization, robotization. This is painting about how the natural is gradually replaced by the artificial, an altered perception of reality, and for us it imperceptibly becomes common. We do not perceive the world around us as it used to be organically, directly, our thoughts are occupied with other values: how to achieve success in a career, self-realization, be in demand, acquire good things and be within the framework of socially approved and in demand. That is, we live in an environment with imposed values, we are programmed, we are like mannequins, robots surround ourselves not with nature, but with artificially created (devices, interiors). Oversaturation, overproduction, oversupply, exaltation and toxicity. I remember the long-time rock band "Kraftwerk", where mannequins sing and dance instead of people, forming a new cyber aesthetic. Suprematic exaltated mannequins, like on a crash test site, somewhat reminiscent Malevich's human figures.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:43.3 W x 35.4 H x 1.6 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Dear all! :) Probably the basic thing I wanted to note about my approach to creativity is the development of imagination and image that is intentionally not to resort to using photographs or natural installations when painting. Of course it would probably be vice versa good because it develops a sense of color you learn from a clear primary source, optimize your labor costs, and reduce time to achieve the desired result. Yes, I’ve been looking for moves for a long time, I hauled out a bunch of canvases and papers, but I decided that everything I draw would be imagination and that’s all! Exceptions are plein air paintings as exercises, but they do not include the collection of my paintings and I do not write them for sale. I also wanted to say that when I paint a picture even for sale, I don’t think in what style, for which interior it will be needed, and what it is needed for. The painting has an intuitive and emotional meaning ... well, probably there is nothing unique about it ... all artists pursue it. I write mainly with oil paints, less often with acrylic, gouache and watercolor. Although I graduated from the Faculty of Design, and earlier from the Art School, I still consider myself self-taught, especially in terms of oil paints, as they are seriously taught at the art academy, but I have familiar artists - professionals who have repeatedly taught and corrected me. I use the initially acquired skills of understanding the basics of perspective, composition, design and artistic thinking, but in order to be an artist and not a graphic designer, you need expression of technique, color, subjective vision, which allows you to go beyond what is possible for a physical object in terms of its practicality and convenience (if you take the design). In terms of the emotional component, I am an adherent and lover of style and artists who profess the idea of ​​sharp perception of color and form, stylish rigor, clarity, tension of emotions, the presence of objectivity, despite the fact that non-objective art is currently the most popular and advanced. But still, I do not depict a copied or just a landscape, but a plot and mood. I paint pictures on different topics, without focusing narrowly on something specific, but I think that it would be good for any mature artist with many years of experience, the most important thing is to keep your style, but you can’t fake it.

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