VIEW IN MY ROOM
United Kingdom
Painting, Acrylic on Canvas
Size: 12 W x 9 H x 0.5 D in
Ships in a Box
The first in the trilogy of the 'Dreadnought' sequence within the 'Abstract in Motion' series. This first piece, 'Dreadnought Horizon', abstracts and reduces a battleship to the active colour of orange and the threatening form of a looming, dominant triangle - a vastly simplified silhouette of a war ship. In the distance is what could be considered to be a smaller and possibly benign freighter, as represented by the smaller square, or perhaps an enemies' freighter. This begins the three part sequence. See also 'Dreadnought Pursuit' and 'Dreadnought Attack'. The original concept for this painting which birthed the other two in the sequence, came as a spontaneous direct image during a lower brainwave hypnagogic state. Acrylic on 100% archival quality Canvas Size: 12x9
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:12 W x 9 H x 0.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:China.
Customs:Shipments from China may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I was born and raised in London, England, but have spent the last decade living in Asia - and China in particular - after following a childhood fascination with the arts and culture of the region. I have drawn and painted since an early age and have always held a deep, instinctive resonance with color and form, with one of my earliest memories being an impression that the bold colours and shapes of childhood stickers at the end of my cot had their own dimensions and characters that could be literally entered in to and experienced as other worlds. I've been told that this memory when I was under three years of age (one of several) can't be so, as after three years of age the brain restructures itself and layers over all previous memories, essentially wiping them. As a dyslexic however, my brain is apparently mapped differently, which suits me just fine. My thought process has always worked in patterns, angles and colours, viewing them as a more direct form of communication when compared to the written word or spoken language. During my teenage period and early twenties, I drew heavily from the Chinese influences of line and form along with the bold design of Japanese wood block prints. Over a period of many years my work has evolved with sketch, to water color, gouache, ink, and then oil, until I became truly satisfied with acrylics and abstract geometrics, as I feel their combination can formidably address that which I wish to elucidate. Subsequently, in my evolution as an artist, I've also found that I've had to toss-out copious amounts of learned form to reach a point which is minimalistic, yet not minimalism, and which seeks to tackle the esoteric and metaphysical via aesthetics. My art attempts interaction and subjective connection with the viewing individual, and often references some possible higher force beyond western minimalism's ideal of anonymous-machined-patterns, devoid of any allegory or internal communication. My series 'The Fifth Dimension' seeks to unveil the fifth dimension beyond our everyday consciousness. The fifth dimension is one of the dimensions that quantum physics' M-theory has posited exists all around us, and it is my conjecture that the fifth dimension is formed from a combination of the previous four that we are aware of: Line (1D), flat shape (2D), three dimensional object (3D), and time (4D), to create a dimension where forms transmogrify, dependent on the viewers consciousness and attention (5D).
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