VIEW IN MY ROOM
Chile
Painting, Oil on Canvas
Size: 55.1 W x 35.4 H x 1.6 D in
Ships in a Tube
Inspired in a chilean legend. This mythological character is described as a small man, ugly face, but look very sweet, alluring and sensual. He has no feet, as their legs end in stumps. Dress suit and straw hat, and used his right hand a stone ax, which replaces a twisted cane called "Pahueldún". Hanging hook a burly Tique, waiting for his victim. A girl who is unmarried and looks like a woman. He starts to hits his ax three times when he sees her, When he sees herTo descry his ax hits three times the Tique and already the fascinating Trauco beside her. He blows gently with Pahueldún. The girl, without being able to resist, stares into the Trauco's , falling into a peaceful sleep of love. When she awakes, is almost naked and with scrambled dresses. As the months pass, hers body is transformed, it has been owned by the Trauco. At nine months the son of this little man is born. Now both are related to the mysterious magic Trauco.
Original Created:2015
Subjects:Pop Culture/Celebrity
Materials:Canvas
Styles:ModernPop ArtFigurative
Mediums:Oil
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:55.1 W x 35.4 H x 1.6 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Chile.
Customs:Shipments from Chile may experience delays due to country's regulations for exporting valuable artworks.
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Painter and goldsmith born in Chile, graduated from Fine Arts. I have always felt attracted by images and the idea that everything can be created from their compilation. From this impression and from the recycling of images, I started painting different scenes, fictional scenarios, colourful and provocative, with the intention to trigger spectators to build a personal and creative process under their own experience in relationship to my work. According to this, my proposal follows an appropriationist line, in which the creation process is conceived from a rich mixture of languages. Once images are decontextualized, a digital procedure is applied in order to assemble them in a pictorial collage. The appropriationism and the extraction of the authorship give life to new and original images, implying an outcome that goes from the reflection of the art to a visual pleasure. This, of course, modifies the sense given by the original authors. The intention behind this is to transmit a new kind of plastic and conceptual experience, obtained from the world of publicity, history of art, and literature. The result obtained from the visual discourse is articulated from a variety of little fragments that come from the intervened mass-media, mostly with a digital nature, delivering as a final outcome the resemantization of the artistic work.
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