EVOL Painting

The work takes as its starting point the prevailing narratives about human dignity in today's society. From these narratives the idea of ​​representing diversity, tolerance and common points in human existence is configured. However, after a process of observation, reflection and expansion of the senses, it is noted that, to a certain extent, the conquests of rights and official discourses, hide the faces and feelings provoked by plurality, in societies whose conventionalisms tend to the homogenization. This, in addition, is accentuated with the intensive use of social networks and the horizontal censorship of other users. It is so, the technology, the rules, the courtesy and the posturing; contribute in the construction of the façade, in the delimitation of what we consider politically correct. The feelings, reflections and needs of each of the individuals are diluted within the social maxims. Those who point and those who tolerate; the integrated and the plagued; those who delight and those who survive; the courts and the winners. Everyone seems to have the same faces. Colorful and modern faces; carved, made up, designed according to the occasion. In this way, the work is mutating and ends up becoming a kind of oxymoron. A rainbow without joy. Two faces are painted, behind which are the true faces; what is hidden, what bothers if it is unveiled. The eyes, those natural ones, can not express what faces cover, because they merge in the context of appearances. The mouth, a symbolic and disruptive element, serves as a meeting point for locals and foreigners alike. Incomoda to the colors by its solemn color. When observing the mouth, the eyes take position and the words make sense. The communication becomes a complaint.