view additional image 1
View in a Room ArtworkView in a Room Background
20 Views
0

VIEW IN MY ROOM

Ecstasy Painting

Eliza Matica

Romania

Painting, Oil on Canvas

Size: 39.4 W x 11.8 H x 2 D in

Ships in a Box

info-circle
This artwork is not for sale.
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
20 Views
0

About The Artwork

Ecstasy Oil on canvas 30 x 100 without frame and 39x109 with frame First time exhibited at my personal exhibition "Nuances" at Centrul Cultural si de Tineret pentru UNESCO – “Nicolae Blacescu" - Bucharest on 18.07.2019 The Ecstasy By John Donne Where, like a pillow on a bed A pregnant bank swell'd up to rest The violet's reclining head, Sat we two, one another's best. Our hands were firmly cemented With a fast balm, which thence did spring; Our eye-beams twisted, and did thread Our eyes upon one double string; So to'intergraft our hands, as yet Was all the means to make us one, And pictures in our eyes to get Was all our propagation. As 'twixt two equal armies fate Suspends uncertain victory, Our souls (which to advance their state Were gone out) hung 'twixt her and me. And whilst our souls negotiate there, We like sepulchral statues lay; All day, the same our postures were, And we said nothing, all the day. If any, so by love refin'd That he soul's language understood, And by good love were grown all mind, Within convenient distance stood, He (though he knew not which soul spake, Because both meant, both spake the same) Might thence a new concoction take And part far purer than he came. This ecstasy doth unperplex, We said, and tell us what we love; We see by this it was not sex, We see we saw not what did move; But as all several souls contain Mixture of things, they know not what, Love these mix'd souls doth mix again And makes both one, each this and that. A single violet transplant, The strength, the colour, and the size, (All which before was poor and scant) Redoubles still, and multiplies. When love with one another so Interinanimates two souls, That abler soul, which thence doth flow, Defects of loneliness controls. We then, who are this new soul, know Of what we are compos'd and made, For th' atomies of which we grow Are souls, whom no change can invade. But oh alas, so long, so far, Our bodies why do we forbear? They'are ours, though they'are not we; we are The intelligences, they the spheres. We owe them thanks, because they thus Did us, to us, at first convey, Yielded their senses' force to us, Nor are dross to us, but allay. On man heaven's influence works not so, But that it first imprints the air; So soul into the soul may flow, Though it to body first repair. As our blood labors to beget Spirits, as like souls as it can, Because such fingers need to knit That subtle knot which makes us man, So must pure lovers' souls descend T' affections, and to faculties, Which sense may reach and apprehend, Else a great prince in prison lies. To'our bodies turn we then, that so Weak men on love reveal'd may look; Love's mysteries in souls do grow, But yet the body is his book. And if some lover, such as we, Have heard this dialogue of one, Let him still mark us, he shall see Small change, when we'are to bodies gone. This work is a unique original work of art. The artist's signature is present on the artwork. This artwork is framed

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 11.8 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

All my paintings have in common a mental reality, not a physical one. I am against painting that is based only on observation and theory, painting as if done by robot, painting that has the safety net of theories in painting. I want to explain what and how I paint, I will define it as a relationship between a mode of observation (internal and external) and a way of expressing it. This is the answer for which some works need to express the idea of figurative, others go to abstract or symbols and each one needs a different way to be realized. I do not paint a landscape, idea, theme, in an established pictorial way, I do not follow the theories and clearly established criteria. Depending on the psychological state of what I want to express, then I use one of many modes of expression in painting. In painting you can use color and size not only according to the physical reality, but also according to the mental reality. I am convinced that everyone had the surprise to find and find in places that have a different outline and other physical and emotional dimensions. After a while, longer or shorter, the fountain from which the water once drank changed its size. I do not paint with the same emotion, but under an emotional complex, this is why some works are intuitive, others are strongly rationalized. In each paper I had to tolerate the uncertainty, not knowing where the idea goes, to change the way the subject is played. There were quick endings, but there were also roads that closed and I had to resume and investigate what I want and I like the search. I tried to formulate what happens when I stand in front of a canvas, without exposing all the "cognitive maneuvers", the interpretation is left to those who regard, the benefit is both. This is what those who have already started digesting my paintings from the three years since I woke up in painting know this. So let's see outside what is not foreign to us inside!

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support

Related Searches

redsoulsbodyecstasylove