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Painting, Acrylic on Canvas
Size: 63.9 W x 51.3 H x 0.9 D in
Ships in a Crate
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ABOUT THE ARTWORK
This tale unveils the genesis of my strength, stemming from the 'nexus of infinity' harboring a tumultuous and shadowy energy. The collision of these forces ignites a rapid physical outburst, birthing the fabric of space and time. Amidst this, my heartbeat's throb and breath's rush are engulfed by a cacophony of white noise. The distorted visage staring back from the mirror signifies the birth pangs of confusion and dread in this cataclysm, echoing the Big Bang that shatters all, including the searing brilliance and boundless might. The potent force and searing passion splinter uncontrollably into fragments, leaving behind only echoes of that singular moment. Now, like a numbed creature, my dread takes shape, hurtling in parallel between genesis and oblivion.
DETAILS AND DIMENSIONS
Painting:
Acrylic on Canvas
Original:
One-of-a-kind Artwork
Size:
63.9 W x 51.3 H x 0.9 D in
Frame:
Not applicable
Ready to Hang:
Yes
Packaging:
Ships in a Crate
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
South Korea.
Have additional questions?
Please visit our help section or contact us.
South Korea
Throughout my life, I have expressed myself through art. From a young age, I have been fascinated by time and speed, and as an adult, I have come to express myself through the subject of automobiles. As time has passed, my artistic focus has shifted from emphasizing the external allure of automobiles to expressing their inner strength, developing a unique style. In my current work, I depict distorted car shapes as metaphors for the modern generation’s pursuit of happiness and the self-determined paths carved out amidst intense competition. Utilizing acrylic paints, I employ a squeegee scraping technique and incorporate embroidery to create artificial straight lines, conveying notions of speed and temporal forms. This fusion of methods allows me to explore the dynamic interplay between abstraction and representation, reflecting the complexities of contemporary existence.
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