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Netherlands
Painting, Pigments on Aluminium
Size: 38.2 W x 38.2 H x 1.1 D in
Ships in a Crate
Shipping included
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A lush bunch of flowers, in a classic vase, on a sturdy wooden crossbeam. Warm autumn colors with a golden glow. A walnut/black frame with a subtle pattern, referring to the splashes of the golden hour, the warm evening light in the brushstrokes. Bridging the transition from fall to spring. Living in the Netherlands, I cannot ignore the Dutch masters. Living in the former art colony Heeze, I elaborate on this with my own input. Domein Oogenlust with its bouquet artists is a source of inspiration for me."Flowers wither, ships perish, but my lush bunch of flowers remains." A witticism on an old poetry picture poem from my childhood. Flowers to brighten up and add color to your home every day, all year round. Inspired by Vincent van Gogh's 'Nature Morte: Vase aux Glaïciels'(1886) among other Dutch painters from the second half of the nineteenth century. One of a kind, oil painting on primed aluminium, certificate, signed back and front MC '22, framed.
Painting:Pigments on Aluminium
Original:One-of-a-kind Artwork
Size:38.2 W x 38.2 H x 1.1 D in
Frame:Brown
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Netherlands.
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Netherlands
Mieke van Os is a multidisciplinary artist with a focus on mixed media constructions. She is increasingly working with things she finds in her environment, also from a sustainability point of view. Remnants of a renovation, residual products of casting materials, pieces of stone or wood, strips of textile. It often results in a material treatment or solution that is not immediately obvious and thus gives individuality to her work. She is looking for an unconventional but traditional shape with a twist. She also looks for composition in her sculptures, the separation of surface and color, as she also does as a painter. A way of working to study form more carefully, visually explore the new topography and rediscover familiar materials. In her work she wants to express something intangible, an atmosphere, a feeling. Her sources of inspiration are very variable and versatile. Whether a work was made 500 years ago or now, she borrows elements from it to do something with it. Ideas also come from the production itself. The work often has a kind of rules and chaos at the same time. At first glance, her work is very diverse. On closer inspection, there is definitely a connecting line. An expression of how the mind reacts to things. Her motto is: “The horizon is infinite, it only knows a limit in ones head. Her goals are to further develop and explore her techniques and to experiment with (sustainable) materials, colors, shapes and sizes (!), in a combination of sculpture, painting, ceramics and textiles; she also wants to focus more on research in working with plant remains and other biomaterials.
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