VIEW IN MY ROOM
South Africa
Painting, Watercolor on Paper
Size: 637.8 W x 23.6 H x 4 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
Entanglement refers to the complex relationship between resource extraction, advancing technology and the impact it has on the natural environment and inevitably on all humans. The resources I refer to are Cadmium and Cobalt. I wanted to create a simple image that soothes and clashes. Although the two complimentary colours are fighting each other they are integral to the development of new technology. Cobalt and Cadmium form the basic elements of Lithium Ion and nickel-cadmium batteries, which in turn powers the cell phone the laptop, the electric car and solar power installations to name a few. They are the metals of the future, but maybe also the cause of our demise. They are rare metals and are mined in deplorable conditions; often by minors and artisanal miners. 70% of Cobalt and Cadmium deposits are found in the Congo and are bought up by Chinese citizens who are trading with little to no regulation. Abuses of people and environment is rife. They are also colours loved by artists and Western art would have looked very different was it not for these two beautiful, but toxic colours. The image consists of a close up of a dead pine tree, painted in Cobalt (Cobalt Blue deep and Cobalt Turquoise) and in the negative. The image is largely out of focus to create a dreamy, but hopefully slightly uncomfortable ‘background. On top of this I superimposed an algorithm painted in Cadmium. Superimposed is however not something you can do with watercolour, so although they look separate and above the ‘background, they are very much embedded in the blue. This algorithmic pattern suggests spacial movement.. Entangled also refers to the complex web of information that needs to be considered from political, to environmental, to painterly when viewing a painting and the colours used in this specific case.
Original Created:2019
Subjects:Abstract
Materials:Paper
Styles:AbstractConceptualFine Art
Mediums:WatercolorLatexFabric
Painting:Watercolor on Paper
Original:One-of-a-kind Artwork
Size:637.8 W x 23.6 H x 4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:South Africa.
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South Africa
Wessel started his career as an art teacher in 1986 at the Bloemfontein Technical College. In 1988 he moved to Johannesburg and freelanced as an illustrator for Frontline magazine, Maskew Miller Longman Publishers and De Kat magazine. In 1991 he was appointed as the education officer at the Katlehong Art Centre. While at the centre he was instrumental in establishing the Visual Arts and Crafts Academy (VACA) in 1992. In 1997 he moved to Stockholm, Sweden, where he worked at Kulturhuset (The House of Culture) In early 1999 he moved back to South Africa and joined the television production company Tin Rage. He produced numerous documentaries for local and international TV. He was nominated and won several SAFTA awards. In 2016 he moved to Rosendal in the Free State where he now practices as a full time artist. Since 2016 he has participated in several group exhibitions and his work has, amongst other, been collected by The South African National Art Bank. Glo'Art International collection in Lanaken, Belgium, Big Fish School of Digital Film Making collection in Cape Town and Philippe and Kinga de Chandelar Petro Collection in Hungary. He has held two solo exhibitions and participated in several group exhibitions in South Africa and in Europe.
Artist featured by Saatchi Art in a collection
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