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Equilibrium Painting

Fleur Spolidor

United States

Painting, Acrylic on Paper

Size: 8 W x 8 H x 1.7 D in

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About The Artwork

This little painting is full of happiness, Alice is doing acrobatics on her bicycle with a very large "religieuse au chocolat" (my favorite dessert, maybe yours too) attached to her bike rack. The famous white rabbit is looking directly at us, almost questioning us about the reality of the scene. This little moment is inspired by my new life in Amsterdam, NL, where everything is done on a bicycle. It's painted over layers of papers and modeling paste on a small 8"x8" cradled wood panel. The mixed-media part is 3 layers of collages of different kind of recycled papers, then stencils with modeling paste and acrylic paint. In this world where every little bit matters, I'm trying to help save the planet by reusing wrapping paper, pattern paper, lemon bags or potato bags and other plastics etc... by either leaving them in the work or using them as stencils to create patterns and textures in the modeling paste. This little piece is ready to hang flush (just one nail on the wall) or can stand on its side to be on display in a bookcase or on shelves.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:8 W x 8 H x 1.7 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Fleur Spolidor is a french artist born in Paris who lived in Zurich and San Francisco and recently moved to Amsterdam. Daughter of a metallurgist engineer and a Freudian psychotherapist, she enjoys reading nonsense literature and adventure novels. She earned a M.F.A degree in Art History from a french University and subsequently taught Art History and Fine Art at the same university and in private Schools of Design. In 2004 she moved to California and started a successful business, teaching art classes in french to kids and adults. Spolidor has a knack for learning new art techniques: from stained glass to virtual reality painting. While playing with different techniques, she pushes her work towards contemporary issues like the never ending need to protect women’s rights and the accelerating global warming. Her main body of work called “Alice”, depicts the different characters of Lewis Carroll’s book in modern San Francisco with a vintage flair. She paints them over layers of found materials like plastic, fabric, metal, paper in an effort to recycle and reuse instead of discarding. In her other series called “Paris Flood” Spolidor mixes images of a century ago with photos found in the news. She mixes traditional and modern, digital and analog to try to reconnect the spectator with the scene he’s looking at. When we look at an old photograph, time gives a romantic patina to the event, we forget the suffering to only see the surrealism of the scene. When Spolidor superimposes old and new images, the catastrophes take another dimension. The past becomes a witness of our limited memory and our inability to plan for long term future. Superimposition works as a revealer. As we look through the membranes of the image, we go back to the essential. Spolidor’s figurative work drifts between nonsense and satyre, between past and present, to reflect on mankind’s short memory and the recurring mistakes we keep on making.

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