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Spain
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12 x 8 in ($40)
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White ($80)
Throughout the history of humanity, theology and philosophy has sought to reconcile ethics with aesthetics. Some people say that in reality it is about two opposing and irreconcilable characters, one guided by the search for justice, the good, and another guided by the search for beauty. It was customary to tie the dogs together in chains during a hunt, so that they would not be dispersed over the mountains. Perhaps the greatest aspiration of art, surely always frustrated, is to serve as a chain, as a link between ethics and aesthetics. This piece was part of "A Strange Dream", an exhibition between September-October 2018, in Madrid. For more information, please download the PDF catalog in the following LINK: bit.ly/astrangedreamPDF
Print:Giclee on Fine Art Paper
Size:12 W x 8 H x 0.1 D in
Size with Frame:17.25 W x 13.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Spain
Barcelona, 1979 He has had a studio in Madrid for fifteen years. Bachelor of Fine Arts from UCLM, in Cuenca, Castilla la Mancha. After many years of exhibitions, fairs, reviews and so forth, and coinciding with the birth of my first child, and with the beginning of the economic crisis, our relationship cooled down. At that time the gallery with which I also collaborated, practically as a guest star, and which career path had begun with an exhibition of mine, was closed in Barcelona. Since then my exhibition activity in the official circuits stopped, despite which I continued working in my own way, dealing directly with my clients, which included institutions such as the Centro Médico Asturiano and the IMOMA, both in Oviedo, where my paintings can be seen. I have also made exhibitions in picturesque places but better than the best gallery or art center, such as Can Manresa, Can Timoner both in Santanyi, Mallorca, by the hand of Catalina Obrador, as well as in my workshop. In addition, I’ve been involved in a couple of publishing projects that have taken me a huge amount of time, and are waiting to see the light soon. They are “The end does not exist”, a traveling book, written and illustrated by myself (a trip to Antarctica aboard a sailboat) and “Close your eyes”, an illustrated story, written by Nonita Fdz. Estrada (a book about the importance of dreams and the freedom to have them). In addition, during this period, I have worked, and do I do occasionally work, as an assembler of exhibitions in the main museums and art centers of the city; to be an exhibitions assembler (also known as “Art handler) has given me the opportunity to paw on art works (the good ones and the other ones) and archaeological objects of the most diverse; from the fossil remains of the first dinosaur with feathers, to the votive crowns of Recesvinto and other Visigoth kings, passing through all kinds of pictures, photos, installations of all sort, which often we produce, etc., to the point that for me, these things have become prosaic, losing their mystical aura of an object enclosed in a showcase, or placed behind a security cord, so you do not get too close. With the naturalness with which a forensic expert or a gravedigger deals with the death of others, this is how I deal with art objects, with their placards and their showcases, in their most mundane truth, even with latex gloves. I also deal with their lies, but I reserve them for writing elsewhere.
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