Fatal Painting

In my artistic investigation over the past five years I have sought to develop compositions directed at aesthetic rather than conceptual inquiry. I have aimed to resize the roles of "topic" and "subject" in my painting relegating them to a subordinate level in relation to the general pictorial composition of the work. I have strived to employ the "subject" as merely yet another element, on the same level as chromatic research, light, surfaces, geometry, relativist poetry, metaphysics... Studying the complex relationships between harmony and disharmony within each individual work present me with an endless source in the exploration of a new aesthetic horizon. (see The Time). The marriage of these "discordant" elements and their union in a "harmonious" work is an exploration of the extremes of my pictorial language. The study of physics, metaphysics and relativity has always been present in my work. It is communicated through geometric elements (the Cartesian system), beams of light (subtle golden lines), the use of bichromatic colours, the pairing of elements to communicate the idea of depth, material, static condition and a metastable existence of things (see HA HA). Analogously, the irony present in my paintings recalls the relativity of words, meaning, the knowledge and perception of "reality". Born in Belgrade in 1970, Komadina has a diploma in fine art from the Academy of Fine Arts in Venice. Since 1992 he has developed his back painted glass technique with oil paints, metallic leaf and precious metals. He founded the Akademeia Art Studio of Lignano Sabbiadoro and Latisana, Udine province (UD) and was its director from 1996 to 2009. From 2007 to 2010 he was head of restoration for all the works of art aboard the historic transatlantic SS Rotterdam, The Netherlands. He founded cultural Association "Plus Oltre" in 2002 and acted as its president until 2008. He is secretary of AC "Plus, Oltre" since 2008. He currently lives and works in Latisana (Udine), Italy