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My Fermata-series paintings are quiet sanctuaries for personal reflection. Painting is my antidote to troubling times, my way of contemplating the nuanced gray areas neglected by our increasingly polarized society. I create fields of light and darkness by staining raw canvas with layer upon layer of diluted acrylic pigments that soak into the fabric. These subtle layers of pigment reveal themselves gradually after several minutes of viewing, bringing the dimension of time to the two-dimensional surface. I also blur the distinction between object and ground to create an ambiguity of space. My intent is to create simple but elusive paintings that beckon a hectic world to slow down, pause, and reflect.

Details:
*Acrylic stain on raw canvas built up in many thin layers. The stain technique soaks into the canvas, creating a naturally velvety, rich matte surface with neither the glare of glossy paint nor the deadening of matting agents.
*There is no need to frame this painting since the 1.5" deep edges are the same background/border color with process artifacts of the underlying colors used to stain the canvas.
*This painting ships on quality stretchers ready to hang. No hassle and expense of taking to a framer for re-stretching.
*Signature, date, and artist's inventory number on rear canvas margin. Inventory number can be compared to artist's records for provenance.
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Fermata 1831 Painting

BD Griffith

United States

Painting, Acrylic on Canvas

Size: 40 W x 30 H x 1.5 D in

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$3,710

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About The Artwork

My Fermata-series paintings are quiet sanctuaries for personal reflection. Painting is my antidote to troubling times, my way of contemplating the nuanced gray areas neglected by our increasingly polarized society. I create fields of light and darkness by staining raw canvas with layer upon layer of diluted acrylic pigments that soak into the fabric. These subtle layers of pigment reveal themselves gradually after several minutes of viewing, bringing the dimension of time to the two-dimensional surface. I also blur the distinction between object and ground to create an ambiguity of space. My intent is to create simple but elusive paintings that beckon a hectic world to slow down, pause, and reflect. Details: *Acrylic stain on raw canvas built up in many thin layers. The stain technique soaks into the canvas, creating a naturally velvety, rich matte surface with neither the glare of glossy paint nor the deadening of matting agents. *There is no need to frame this painting since the 1.5" deep edges are the same background/border color with process artifacts of the underlying colors used to stain the canvas. *This painting ships on quality stretchers ready to hang. No hassle and expense of taking to a framer for re-stretching. *Signature, date, and artist's inventory number on rear canvas margin. Inventory number can be compared to artist's records for provenance.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:40 W x 30 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

BD Griffith experiments with basic tools in multiple media to pursue work that is simultaneously simple yet profound. His work is held in museum collections including the Museum of Fine Arts Houston, University of Michigan Museum of Art, Center for Creative Photography, and Fort Wayne Museum of Art. He has exhibited widely, with 12 solo exhibitions including the Fresno Art Museum, HIgh Desert Museum, Mesa Contemporary Arts Museum, and Griffin Museum of Photography; numerous small-group shows including the Phoenix Art Museum and University of Arizona Museum of Art; and dozens of awards from America’s best art fairs. Griffith has been featured in Slate, Black & White, Arizona Highways, Photo District News, Diffusion, AZ Lifestyle, Phoenix New Times, and the Arizona Daily Sun. Before becoming an artist, Griffith earned a degree in engineering and built a successful career with an international management consulting firm, but found his job unfulfilling and was troubled by the environmental impact of his clients. He ultimately resigned to follow his conscience. In order to pursue art full-time, he adopted a simple nomadic life, camping out of an old van and saving every dime for gas and supplies. When Griffith’s van broke down in Flagstaff, Arizona, he fell in love with the mountain town—and then his wife—and has called it home ever since. In 2016, Griffith received the Flagstaff Arts Council's Viola Award, the city’s highest honor for arts achievement, and was recognized by the Phoenix Art Museum with a Contemporary Forum Artist Grant.

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