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Field tapes from Mound City Painting
United States
Painting, Gesso on Canvas
Size: 56 W x 86 H x 1.5 D in
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About The Artwork
86"h x 56"w acrylic, casein on stretched canvas. Singular, large scale, bright and colorful statement piece. Field Tapes from Mound City is inspired by my local area. Mound City is the nickname given to the city for its multitude of Native American sites. The painting is arranged like a cubist still life with implied symbolic artifacts like a fan with a deer in the shadows, a huichol textile colored poppy, at center is an implied group of crystals which are abundant in this area. Too, the hexagram pops up in a few places to represent bees and the architecture of nature. This is a bold and colorful work. It has a strong graphic quality, as well as, a painterly one. This piece is rendered in acrylic and casein so it has a rich, matte quality. LaChance's works were recently selected by Associate Curator, Kelly Shindler of the Contemporary Art Museum St. Louis for the 119th survey of midwestern painters for New American Paintings. Her work was displayed at the 2015 PULSE Miami during Art Basel. LaChance exhibits in galleries across the United States and is collected world wide. In 2016 she will be in a group exhibition at the Elmhurst Art Museum and will exhibit at the Evansville Museum of Art, History and Science in 2017.
Details & Dimensions
Painting:Gesso on Canvas
Original:One-of-a-kind Artwork
Size:56 W x 86 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Alicia LaChance is a full time painter based out of St. Louis, Missouri. She is represented by galleries across the Untied Sates. Recently, her painting, New Village, was reinterpreted as a 27' terrazzo floor public art installation at St. Louis International Airport. This work was also highlighted in the Wall Street Journal. Her paintings were selected by Julie Rodriguez Widholm, the Pamela Alper Associate Curator at the Museum of Contemporary Art, Chicago, for the 2011 Midwest edition of New American Paintings. Most recently, she has been commissioned to create original artworks for Roman & Williams for a project at the CAA. The artist is proud to be working with a design team recently ranked by Architectural Digest as one of the top 100 design firms in the world. Her artwork is in collections throughout the US and abroad. LaChance is also co-founder of Hoffman LaChance Contemporary, a community based exhibition space that focuses on the exchange between regional artist and curators. www.hoffmanlachancecontemporary.com www.alicialachance.net
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