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Flags 1.0 The colors in our eyes Painting

Mak Hubjer

Bosnia and Herzegovina

Painting, Acrylic on Canvas

Size: 31.5 W x 23.6 H x 0.8 D in

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About The Artwork

My new series of works, titled 'The Colors in Our Eyes', continues my exploration of the subject and context of flags in both social and political contexts. This series builds upon my earlier works such as 'Boiling the Flag' and the 'Clear Conscience' cycle, in which I take a critical and reflexive approach to the role of flags as symbols of national identities and the authoritative formation of collective identities. Through my use of cleaning and erasing techniques, I question the function, meaning, and message of flags in creating a socio-political reality. In this new series, the flags are presented as reduced to a surface of energetically applied colors, which further emphasizes the cleaning mission and plays the role of gaps in urban depictions of the city. This approach allows me to move closer to the very meaning and function of flags and ask universal questions about socio-political arrangements and the collective identities they generate. By directly referencing the spectator as a subject of my work and questioning their choice of perspective, The Colors in Our Eyes series aims to provoke the viewer to critically reflect on their relationship to flags and national identities.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:31.5 W x 23.6 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Mak Hubjer
Mak Hubjer

Bosnia and Herzegovina

Mak Hubjer is a Bosnian-Herzegovinian visual artist and artist of social practice. While diverse in its form, his visual and performative practice explores the relationships between public space, memory, and monuments, prone to questioning the phenomenology of socio-political relations. Encouraged by the urban setting, he creates or intervenes in public spaces, searching for ways in which the relationships between monuments, public spaces, and (collective) memory can be(come) deconstructed, revealed, or even revived. Although pursuing notions that are generally and widely familiar and recognizable, his practice is often inspired by and rooted in my most immediate surroundings. During the most recent years, drawing inspiration from the current community, Mak Hubjer has sought to put forth claims of competing memories that exist on the territories of other societies. While remaining conscious that the links between identity and monuments are by definition borders – not only socio-political but also cultural and semiotic – and that these links refer to imaginary spaces that vary between each community with a claim to them, he decided to propose alternative artistic approaches to reveal the tensions that are the basis, not only of certain historical narratives disseminated by way of art throughout the urban fabric, but also of its multiple and unpredictable processes of distortion, reinterpretation, and erasure.

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