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Flower fest Painting

Kitti Gebler

Hungary

Painting, Acrylic on Canvas

Size: 31.5 W x 31.5 H x 0.8 D in

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$1,230

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About The Artwork

In this painting of mine, the inspiration came from femininity and the beauty of nature. The interplay of women and flowers tells a story where women possess delicate yet powerful features, while the flowers, embraced by them, strengthen this portrayal with their naturalness and harmony. The depiction of women received special attention from me as I aimed to express the complexity and beauty of the human soul. The flowers, meanwhile, are not merely decorative elements but symbols of femininity and the beauty of life. The purpose of my artwork was to showcase female strength and beauty inspired by nature, while capturing the enchantment of the moment and the possibility of eternal renewal. The painting is filled with rich colors and details, enhancing the experience and allowing the viewer to explore the inner world and thoughts of the artist. For me, this artwork is not just a painting but a form of self-expression and self-realization that I am delighted to share with others.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:31.5 W x 31.5 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Hi! I'm a visual artist. I was born and living in Budapest, Hungary. Leaving behind the world of design I mainly deal with painting. In the past Iwas inspired mainly by psychology and my own and otherss' memories. I used to process old photos. The characters in my pictures were mostly women and little girls, less often dogs. The theme could be a portrait or a whole figurative representation, I tried to fill it with secondary, underlying content. During the closed, stimulus-poor months of the Covid quarantine, I spontaneously painted wildly dancing, partying figures, with loud colors, without caring about the anatomy. Then the shadow figures appeared in my pictures. These fragmented, distorted figures and torsos became the protagonists of my new paintings. I don't spare my figures. I stretch, compress, truncate, rotate, mirror, duplicate them and place them in different situations. It is not only the figures, the arrangement of the composition, or the setting of the point of view that changes, but the former restrained and decent, limited use of color has been replaced by an inner desire for a provocative, undisciplined use of color. The pandemic changed the world and me. Before, I processed the past comfortably, and now I let the voices and thoughts that disturb my present come to the surface from the depths of my consciousness and try to organize them.

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