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Studio Aug 1, 2019 Brooklyn, New York
A platform
A stage
A laboratory
                  for fields of energy.
Unabashedly ab
                  stract
+
about the act of painting
                                      itself.
Speaking to the             Unknown,
framing the i.  n.  v.  i.  s.  i.  b.  l.  e,
                   by cloaking the ghost
in costumes
of
colored
putty.

Employing the recogniz
                                   able
to access the unrecogniz
                                   able.
Ushering curiosity toward perceptival trans
                                   formation.
((Gestures)) sus
                    pen
                    ded + come to a rest yet re
minding motion of motion.

Communication through 
signs
charades
&
energetic displays.

Acceptin g th e ill logical 
as
 the 
    tru 
       th.
           .
            .
             .
A platform
A stage
A laboratory
                  for fields of energy.
Unabashedly ab
                  stract
+
about the act of painting
                                      itself.
Speaking to the             Unknown,
framing the i.  n.  v.  i.  s.  i.  b.  l.  e,
                   by cloaking the ghost
in costumes
of
colored
putty.

Employing the recogniz
                                   able
to access the unrecogniz
                                   able.
Ushering curiosity toward perceptival trans
                                   formation.
((Gestures)) sus
                    pen
                    ded + come to a rest yet re
minding motion of motion.

Communication through 
signs
charades
&
energetic displays.

Acceptin g th e ill logical 
as
 the 
    tru 
       th.
           .
            .
             .
63 Views
11

VIEW IN MY ROOM

Follow the Sweet Tart Trail for Clues Painting

Shelton Walsmith

United States

Painting, Oil on Canvas

Size: 12 W x 12 H x 2 D in

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$800

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63 Views
11

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About The Artwork

A platform A stage A laboratory for fields of energy. Unabashedly ab stract + about the act of painting itself. Speaking to the Unknown, framing the i. n. v. i. s. i. b. l. e, by cloaking the ghost in costumes of colored putty. Employing the recogniz able to access the unrecogniz able. Ushering curiosity toward perceptival trans formation. ((Gestures)) sus pen ded + come to a rest yet re minding motion of motion. Communication through signs charades & energetic displays. Acceptin g th e ill logical as the tru th. . . .

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:12 W x 12 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

"Despite strident efforts to paint the smallness of birds monuments persist. " website: www.sheltonwalsmith.com Published by The Paris Review, Knopf, Vintage, Rizzoli Books, Paris Vogue, Denver Quarterly, Shots Magazine, Harper Collins, The New York Times and others. Exhibited in New York, San Francisco, Prague, St.Thomas and Austin. His most recent one man shows was at Seven Minus Seven Gallery In the US Virgin Islands. Personal interests; weather patterns, the inner life of trees, limes, irrationality, filigreed space, tequila, the middle ages, muay thai boxing, kittens, puppies, red wine, French New Wave cinema, sharp knives, lengths of twine rolled into balls for kittens to rut and nuzzle, cowboy britches, comedy jokes, rosemary short bread, blue moons, red squares, purple rain, carrot juice, my bidet, interiors, monumentality, audit remediation, the direction up. profile pic: Self portrait holding Autumnal Brutalist collage January 26, 2022

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