VIEW IN MY ROOM
FORCES GATHER - A Limited Edition Print #1/30 Painting
United States
Painting, Acrylic on Other
Size: 52 W x 21 H x 0.1 D in
Ships in a Tube
About The Artwork
FORCES GATHER is a LIMITED EDITION PRINT - #1/30. Continue below... This piece is a museum quality reproduction of the original of the same name and size. A 1" white border is provided for ease of handling. EXPAND ABOVE PIECE TO FULL SCREEN to examine the details...but then, stand back to absorb its massive influence. With Clashes and Molecular Swirling, FORCES GATHER becomes the visual out-take from the most forceful, authoritative and compelling movements in symphonic orchestrations. Color, shape and space in this piece makes it an eye-catching appointment for any room. The Paper: This PRINT is reproduced on award-winning 100% cotton smooth fine art paper, Moab Entrada, which insures your vision to print through superb ink handling and sharpness. Entrada is an archival acid- and lignin-free paper with an expanded color gamut and natural contrast.
Details & Dimensions
Painting:Acrylic on Other
Original:One-of-a-kind Artwork
Size:52 W x 21 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Judith Lindenberg is a Southern California gal, born and raised in the Los Angeles area. Growing up in a musical household, her mother was a classical pianist, a composer and lyricist. Her dad, a man of medicine first and foremost but with a love for music, was one of the founders of the Doctors’ Symphonic Orchestra of Los Angeles. He played just about every instrument he picked up but had a passion for the flute and piccolo. So, with this musical home and family environment and a personal love for all things natural, from birds to trees, to stones and leaves, Judith began to forge her career in art at a very early age. She has committed most of her time to her own studio, creating pieces where the musical influence can be clearly seen. On the flip-side, her collages include branches, leaves, fossils and stones; rubbings from pieces of marble and slabs of tree trunks. Her commissioned work is created and sold through her own studio, rarely seeking gallery exposure.
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