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This painting is derived from "en plein air" paintings done at the National Trust property, Waddesdon Manor in Buckinghamshire. I was especially taken with the formal garden and the way it was nestled into the slope of the gardens as it swept into the parkland. My eye was particularly drawn to the gaps in the trees at the back of the garden and these became my "subject" 
The painting is work in oils and oil bars onto coloured and gesso primed canvas. Then finished with strong drawing lines decribing the landscape lines. These are drawn with graphite. I enjoy the deliberate incompleteness of this painting, leaving the viewer to walk themselves into the landscape and fill it with their own remembered gardens.
This painting is derived from "en plein air" paintings done at the National Trust property, Waddesdon Manor in Buckinghamshire. I was especially taken with the formal garden and the way it was nestled into the slope of the gardens as it swept into the parkland. My eye was particularly drawn to the gaps in the trees at the back of the garden and these became my "subject" 
The painting is work in oils and oil bars onto coloured and gesso primed canvas. Then finished with strong drawing lines decribing the landscape lines. These are drawn with graphite. I enjoy the deliberate incompleteness of this painting, leaving the viewer to walk themselves into the landscape and fill it with their own remembered gardens.
This painting is derived from "en plein air" paintings done at the National Trust property, Waddesdon Manor in Buckinghamshire. I was especially taken with the formal garden and the way it was nestled into the slope of the gardens as it swept into the parkland. My eye was particularly drawn to the gaps in the trees at the back of the garden and these became my "subject" 
The painting is work in oils and oil bars onto coloured and gesso primed canvas. Then finished with strong drawing lines decribing the landscape lines. These are drawn with graphite. I enjoy the deliberate incompleteness of this painting, leaving the viewer to walk themselves into the landscape and fill it with their own remembered gardens.
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Formal Garden Painting

Deborah Last

United Kingdom

Painting, Oil on Canvas

Size: 48 W x 36 H x 1 D in

Ships in a Crate

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SOLD
Originally listed for $2,250
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About The Artwork

This painting is derived from "en plein air" paintings done at the National Trust property, Waddesdon Manor in Buckinghamshire. I was especially taken with the formal garden and the way it was nestled into the slope of the gardens as it swept into the parkland. My eye was particularly drawn to the gaps in the trees at the back of the garden and these became my "subject" The painting is work in oils and oil bars onto coloured and gesso primed canvas. Then finished with strong drawing lines decribing the landscape lines. These are drawn with graphite. I enjoy the deliberate incompleteness of this painting, leaving the viewer to walk themselves into the landscape and fill it with their own remembered gardens.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 36 H x 1 D in

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I work in my beautiful studio close to the dramatic coastline of North Devon. Most days I’m out and about within this coastal landscape walking my dog and being inspired. Being on the MA has given me amazing opportunities to explore my own practice and to hone my style. I have worked as an artist for many years. My earliest memories include walking early and drawing and painting sitting in my bedroom floor. I still wake early and love to start they day in the studio, then head out into the landscape with the dog, camera phone and a sketchbook. In 2015 I decided to fully explore the landscape around me, at the Tim was was living within the amazing Garden of Stowe House in Buckingham, school and National Trust property. I decided I would paint the landscape every day for a year. I worked in oils, capturing the light and weather and energy of the changing seasons. My work has contemporary style, I love using expressive colour and intriguing brush strokes that blend blend with a traditional form of art to create what I hope are a unique and beautiful series of paintings. Undertaking daily painting has further informed my understanding of the landscape and the year long research project of daily painting hugely informed her current practice. . I spent 7 years living in India working as an artist and tutor. I think my work retains the love of colour and story that so inspired me whilst i was there. I have an ongoing life drawing practice and this sometimes breaks out into drawings using the figure within paintings I produce from memory. I love doing these. They are often energetically produced and have a clear story behind them My work is held in private collections throughout the UK and abroad, including Sir Richard FitzHerbert of Tissington Hall, Derbyshire and the estate of Sir Jack Hayward, Barbados. I work full time as an artist and art tutor. I live in Nirth Devon with my husband Pete and my dog Archie. I Am currently on an MA course in Contemporary Art Practice at Plymouth Uni. I run Art Holidays and classes Devon. She is a Patron and a founding member of Buckingham Art for All.

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