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I "take notes" when I drive--meaning I constantly snap photos of the colors and scenery around me. Often the worse photos make for the best paintings--or photos that would seem kitschig regain something of their wildness once painted. This particular shot was taken from the freeway on the drive through northern Italy. Each season brings its own palette of colors--here we see the delicate pastels of a late winter sunset. Although painted horizontally, many prefer to see it displayed vertically. I do like how the drips become motion this way, but I do believe it can be left to the beholder to decide.
I "take notes" when I drive--meaning I constantly snap photos of the colors and scenery around me. Often the worse photos make for the best paintings--or photos that would seem kitschig regain something of their wildness once painted. This particular shot was taken from the freeway on the drive through northern Italy. Each season brings its own palette of colors--here we see the delicate pastels of a late winter sunset. Although painted horizontally, many prefer to see it displayed vertically. I do like how the drips become motion this way, but I do believe it can be left to the beholder to decide.
I "take notes" when I drive--meaning I constantly snap photos of the colors and scenery around me. Often the worse photos make for the best paintings--or photos that would seem kitschig regain something of their wildness once painted. This particular shot was taken from the freeway on the drive through northern Italy. Each season brings its own palette of colors--here we see the delicate pastels of a late winter sunset. Although painted horizontally, many prefer to see it displayed vertically. I do like how the drips become motion this way, but I do believe it can be left to the beholder to decide.
I "take notes" when I drive--meaning I constantly snap photos of the colors and scenery around me. Often the worse photos make for the best paintings--or photos that would seem kitschig regain something of their wildness once painted. This particular shot was taken from the freeway on the drive through northern Italy. Each season brings its own palette of colors--here we see the delicate pastels of a late winter sunset. Although painted horizontally, many prefer to see it displayed vertically. I do like how the drips become motion this way, but I do believe it can be left to the beholder to decide.
I "take notes" when I drive--meaning I constantly snap photos of the colors and scenery around me. Often the worse photos make for the best paintings--or photos that would seem kitschig regain something of their wildness once painted. This particular shot was taken from the freeway on the drive through northern Italy. Each season brings its own palette of colors--here we see the delicate pastels of a late winter sunset. Although painted horizontally, many prefer to see it displayed vertically. I do like how the drips become motion this way, but I do believe it can be left to the beholder to decide.
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From the Backseat Painting

Adrienne Egger

Austria

Painting, Oil on Canvas

Size: 35.4 W x 51.2 H x 0.8 D in

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1676 Views
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About The Artwork

I "take notes" when I drive--meaning I constantly snap photos of the colors and scenery around me. Often the worse photos make for the best paintings--or photos that would seem kitschig regain something of their wildness once painted. This particular shot was taken from the freeway on the drive through northern Italy. Each season brings its own palette of colors--here we see the delicate pastels of a late winter sunset. Although painted horizontally, many prefer to see it displayed vertically. I do like how the drips become motion this way, but I do believe it can be left to the beholder to decide.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:35.4 W x 51.2 H x 0.8 D in

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Adrienne Egger is an American artist based in Austria. Her prize-winning paintings depicting concepts of our inner worlds through imagery inspired by fleeting moments, the natural world and vintage-chic film scenes, have garnered international recognition. Though working primarily with oils, she incorporates spray paint, patinas, rust, metal leafing, resins and lighting into her art. Egger exhibits regularly in solo and group shows and her work is found in corporate and private collections around the world.

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