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Full of Mothers Painting

Carol Spicuzza

Painting, Acrylic on Other

Size: 11 W x 14 H x 1 D in

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About The Artwork

Description: When I made the painting I thought of the idea of going back in time, a sort of history of our worship of the feminine. The first doorway is a modern church; the second is the entrance to a temple of Cybele, the Magna Mater; the third is a doorway I constructed showing the temple at Gobekli Tepe. Gobekli Tepe was just discovered and determined to be our oldest known temple. It was constructed before the advent of agriculture (9,000 BC) and changed our understanding of when such structures were first built. Formerly, we thought such things weren't done until we began farming. In the temple there were little Venus of Willendorf-type figures and I think the great cats carved around the doorway speak of the mother too. Finally we enter the caves, the Earth's womb.

Details & Dimensions

Painting:Acrylic on Other

Original:One-of-a-kind Artwork

Size:11 W x 14 H x 1 D in

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Each period in history has its sacred myth and these myths evolve over the millennia. The myth forever transforms, as it must, to reflect our ever-changing psychic needs. According to modern psychology, a new sacred myth is in the process of evolving, a myth that would provide us with the blueprint for our future lives. It would convey a new understanding of ourselves and reveal new modes of behavior that anticipate the qualities needed to meet life in the centuries to come.But before these myths become stories, they exist simply as images in the unconscious and for this reason the artist is in a unique position to be the first to perceive new trends within the psyche. My paintings are a documentation of these trends as presented to me by the unconscious. Of course, the images are colored by the lens through which they are seen, this lens being the individual artist. Only by the effect of these images on the viewer can the value and clarity of this lens be determined. At their most effective, such images provide a point of departure and recognition for those who, willingly or unwillingly, are faced with the need or desire to evolve.

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