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'Geert at work' is a painting based on a fragment of the Bad Painting 'Geert Wilders & Norbert Hofer working on a work & detention camp for Muslims'. It depicts Geert Wilders sitting at a desk. It is a raw, seemingly unfinished painting.

part of Bad Painting:

Bad Painting Phase 2 is series of (seemingly) badly executed paintings. As crude & dilettantish as the work sometimes seems, it is often very complex in terms of composition and use of colour. The deliberate 'wrong' use of colours, distorted geometry and in general amateurishly painted pictures explore all these components as well as what a successful picture is and not is. Despite the title of the series, I attempt to create successful, well balanced workd.

In terms of content and themes, the work in Bad Painting, phase 2 deals with possible present day and future events & situations, mirroring my own fears and joys. I am interested in exploring Appenzell peasant art (Appenzeller Bauernmalerei), the works of David Hockney, Lubaina Himid, Henri Rousseau, James Esor & Anna Mary Robertson (Grandma Moses) to name a few. As I my general practice focues on process more than anything else, I have decided to include both, the successful and unsuccessful paintings.
'Geert at work' is a painting based on a fragment of the Bad Painting 'Geert Wilders & Norbert Hofer working on a work & detention camp for Muslims'. It depicts Geert Wilders sitting at a desk. It is a raw, seemingly unfinished painting.

part of Bad Painting:

Bad Painting Phase 2 is series of (seemingly) badly executed paintings. As crude & dilettantish as the work sometimes seems, it is often very complex in terms of composition and use of colour. The deliberate 'wrong' use of colours, distorted geometry and in general amateurishly painted pictures explore all these components as well as what a successful picture is and not is. Despite the title of the series, I attempt to create successful, well balanced workd.

In terms of content and themes, the work in Bad Painting, phase 2 deals with possible present day and future events & situations, mirroring my own fears and joys. I am interested in exploring Appenzell peasant art (Appenzeller Bauernmalerei), the works of David Hockney, Lubaina Himid, Henri Rousseau, James Esor & Anna Mary Robertson (Grandma Moses) to name a few. As I my general practice focues on process more than anything else, I have decided to include both, the successful and unsuccessful paintings.
'Geert at work' is a painting based on a fragment of the Bad Painting 'Geert Wilders & Norbert Hofer working on a work & detention camp for Muslims'. It depicts Geert Wilders sitting at a desk. It is a raw, seemingly unfinished painting.

part of Bad Painting:

Bad Painting Phase 2 is series of (seemingly) badly executed paintings. As crude & dilettantish as the work sometimes seems, it is often very complex in terms of composition and use of colour. The deliberate 'wrong' use of colours, distorted geometry and in general amateurishly painted pictures explore all these components as well as what a successful picture is and not is. Despite the title of the series, I attempt to create successful, well balanced workd.

In terms of content and themes, the work in Bad Painting, phase 2 deals with possible present day and future events & situations, mirroring my own fears and joys. I am interested in exploring Appenzell peasant art (Appenzeller Bauernmalerei), the works of David Hockney, Lubaina Himid, Henri Rousseau, James Esor & Anna Mary Robertson (Grandma Moses) to name a few. As I my general practice focues on process more than anything else, I have decided to include both, the successful and unsuccessful paintings.
'Geert at work' is a painting based on a fragment of the Bad Painting 'Geert Wilders & Norbert Hofer working on a work & detention camp for Muslims'. It depicts Geert Wilders sitting at a desk. It is a raw, seemingly unfinished painting.

part of Bad Painting:

Bad Painting Phase 2 is series of (seemingly) badly executed paintings. As crude & dilettantish as the work sometimes seems, it is often very complex in terms of composition and use of colour. The deliberate 'wrong' use of colours, distorted geometry and in general amateurishly painted pictures explore all these components as well as what a successful picture is and not is. Despite the title of the series, I attempt to create successful, well balanced workd.

In terms of content and themes, the work in Bad Painting, phase 2 deals with possible present day and future events & situations, mirroring my own fears and joys. I am interested in exploring Appenzell peasant art (Appenzeller Bauernmalerei), the works of David Hockney, Lubaina Himid, Henri Rousseau, James Esor & Anna Mary Robertson (Grandma Moses) to name a few. As I my general practice focues on process more than anything else, I have decided to include both, the successful and unsuccessful paintings.

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Geert at work Painting

Jay Rechsteiner

United Kingdom

Painting, Acrylic on Canvas

Size: 27.6 W x 27.6 H x 0.7 D in

Ships in a Box

SOLD
Originally listed for $1,160

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'Geert at work' is a painting based on a fragment of the Bad Painting 'Geert Wilders & Norbert Hofer working on a work & detention camp for Muslims'. It depicts Geert Wilders sitting at a desk. It is a raw, seemingly unfinished painting. part of Bad Painting: Bad Painting Phase 2 is series of (see...

Year Created:

2016

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

27.6 W x 27.6 H x 0.7 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I was born in 1971 in Basel, Switzerland, and educated in Switzerland, Japan, and the UK. Now living and working in Margate, UK, my work spans various media, including painting, drawing, film, sound, and performance. My focus is on two series: Bad Painting and All About You. Bad Painting features faux-naïf style artworks addressing real human atrocities, with text sourced from various headlines. Each piece combines bold brushstrokes with descriptive text to capture contemporary societal shifts. All About You examines the complexities of the modern mind in the age of social media, touching on themes like spiritual healing and affirmations. Using materials like printing paper and masking tape, it highlights the temporary nature of material things versus the enduring power of ideas. Including self-portraits adds a personal layer, showing the human connection between the art and the artist. My goal is to create thought-provoking works that resonate on both intellectual and emotional levels. Awards Winner of The Alpine Fellowship Visual Arts Prize 2024 Anthology 2017 finalists, Charlie Smith Gallery, London, UK, shortlisted for 34. Fukuoka-City Art Exhibition, Fukuoka Art Museum, Fukuoka-City, Japan, 2000

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