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This painting is made on a high quality cotton canvas on a frame of about 4 millimetres, which can be hung on the wall. The idea of this painting was born from wanting to express the different way in which children are growing up today, the so-called tactile generation, and wanting to compare it with how my childhood was like in the millennium, or that of my older brothers and sisters. The picture differentiates the fluid and communicated world in which I and many of us are growing up from the analogous, grated and increasingly difficult to reach world we are leaving behind. Creating holes, dimensions and depths, the painting has a black center to create a sense of absorption and leave the next question open to the air: Coming from the analog world, going through the digital world, what will the technological future be like, what changes will it bring for humanity, and most importantly, how will it be represented? I hope that the spectator feels this fluidity that the new digital and connected world we are living in provides us with, that he values it and compares it to the memories he has of those times when there was no whatsapp, when VHS, Walkman existed, or when plug-ins were physical and tangible, not a computer concept as they are now.
This painting is made on a high quality cotton canvas on a frame of about 4 millimetres, which can be hung on the wall. The idea of this painting was born from wanting to express the different way in which children are growing up today, the so-called tactile generation, and wanting to compare it with how my childhood was like in the millennium, or that of my older brothers and sisters. The picture differentiates the fluid and communicated world in which I and many of us are growing up from the analogous, grated and increasingly difficult to reach world we are leaving behind. Creating holes, dimensions and depths, the painting has a black center to create a sense of absorption and leave the next question open to the air: Coming from the analog world, going through the digital world, what will the technological future be like, what changes will it bring for humanity, and most importantly, how will it be represented? I hope that the spectator feels this fluidity that the new digital and connected world we are living in provides us with, that he values it and compares it to the memories he has of those times when there was no whatsapp, when VHS, Walkman existed, or when plug-ins were physical and tangible, not a computer concept as they are now.
This painting is made on a high quality cotton canvas on a frame of about 4 millimetres, which can be hung on the wall. The idea of this painting was born from wanting to express the different way in which children are growing up today, the so-called tactile generation, and wanting to compare it with how my childhood was like in the millennium, or that of my older brothers and sisters. The picture differentiates the fluid and communicated world in which I and many of us are growing up from the analogous, grated and increasingly difficult to reach world we are leaving behind. Creating holes, dimensions and depths, the painting has a black center to create a sense of absorption and leave the next question open to the air: Coming from the analog world, going through the digital world, what will the technological future be like, what changes will it bring for humanity, and most importantly, how will it be represented? I hope that the spectator feels this fluidity that the new digital and connected world we are living in provides us with, that he values it and compares it to the memories he has of those times when there was no whatsapp, when VHS, Walkman existed, or when plug-ins were physical and tangible, not a computer concept as they are now.
This painting is made on a high quality cotton canvas on a frame of about 4 millimetres, which can be hung on the wall. The idea of this painting was born from wanting to express the different way in which children are growing up today, the so-called tactile generation, and wanting to compare it with how my childhood was like in the millennium, or that of my older brothers and sisters. The picture differentiates the fluid and communicated world in which I and many of us are growing up from the analogous, grated and increasingly difficult to reach world we are leaving behind. Creating holes, dimensions and depths, the painting has a black center to create a sense of absorption and leave the next question open to the air: Coming from the analog world, going through the digital world, what will the technological future be like, what changes will it bring for humanity, and most importantly, how will it be represented? I hope that the spectator feels this fluidity that the new digital and connected world we are living in provides us with, that he values it and compares it to the memories he has of those times when there was no whatsapp, when VHS, Walkman existed, or when plug-ins were physical and tangible, not a computer concept as they are now.
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Generational change Painting

Samuel Colominas

Spain

Painting, Acrylic on Canvas

Size: 74.8 W x 74.8 H x 1.4 D in

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About The Artwork

This painting is made on a high quality cotton canvas on a frame of about 4 millimetres, which can be hung on the wall. The idea of this painting was born from wanting to express the different way in which children are growing up today, the so-called tactile generation, and wanting to compare it with how my childhood was like in the millennium, or that of my older brothers and sisters. The picture differentiates the fluid and communicated world in which I and many of us are growing up from the analogous, grated and increasingly difficult to reach world we are leaving behind. Creating holes, dimensions and depths, the painting has a black center to create a sense of absorption and leave the next question open to the air: Coming from the analog world, going through the digital world, what will the technological future be like, what changes will it bring for humanity, and most importantly, how will it be represented? I hope that the spectator feels this fluidity that the new digital and connected world we are living in provides us with, that he values it and compares it to the memories he has of those times when there was no whatsapp, when VHS, Walkman existed, or when plug-ins were physical and tangible, not a computer concept as they are now.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:74.8 W x 74.8 H x 1.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Samuel Colominas Bigorra born in Barcelona in 1997. Since very young he has felt an attraction towards painting, especially when he saw his father painting, and he could collaborate in some small part of the work. His liking for painting lived with interest that he felt for the animation, forming like professional of the animation after studying the Baccalaureate of arts, He has never stopped painting, and now he presents the new stage of painting that has developed in 2019. Works that arise from the attraction to the movement and light felt by the fish. On all types of surfaces, different formats, with oil, spray and acrylics, These works reflect a movement similar to that of fish when they move as a family. Mixed techniques are used to give variety to the works and exploit all the resources within the artist's mind

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