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Girl at the wall. ( part 5) Painting

Andrei Kokarev

Russia

Painting, Tempera on Paper

Size: 16.5 W x 23.3 H x 0 D in

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About The Artwork

This is the fifth part of a series of works - "The girl at the wall".What is this series about? When I look at a girl, I do not know how you do it, how can you convey that contradictory bundle of impressions and internal feelings at the same time? There's an element of outward impression, yes. But it's only part of it. What she looks like on the outside, if I paint her with the right outline. Her lips, her eyes, her eyebrows, her shoulder line, her dress line... That's not all. I have a very big part of my impression of her internally. It's like a bunch of internal contradictions sticking together at the same time. I like her and I don't like her. She's attractive and repulsive at the same time. She's like a serpent and a panther. And fear and terror and attraction... In this way I am trying to convey this inner bundle of contradictions in the language of dissent rather than in the language of outward similarity. Internal contradictions overwhelm me more than external impressions. And then you get this . It's a confusing, contradictory melody for my taste.

Details & Dimensions

Painting:Tempera on Paper

Original:One-of-a-kind Artwork

Size:16.5 W x 23.3 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My name is Andrey. Was born in 1969. I live and work in Voronezh, Russia . Graduated from Voronezh Art College. Was privately trained in restoration at the Russian Museum in Saint Petersburg. Since 1998, I have been working as a restorer of easel tempera paintings. I teach restoration at a theological school. At the same time, I am a passionate artist. I have collaborated with galleries, I have exhibited and sold my works. My artistic preferences were formed in a long-standing and great love for the art of the old masters. Much of my inspiration as a source lies in old European art. This is partly due to the necessity to know the old painting techniques utilized by me in the restoration. I love old European art. I rely on it in many ways . But today we feel the need, having a graft of classics, to think through the eyes of today. To see the world taking into account all the rich cultural and artistic experience, but still through the eyes of a modern person. Thus some of thr works you see have open quotations to the classic art. There is also a lot of searching for the plastic beauty of today's new eyes, already tainted by modern and postmodern. In my works, I am busy searching for my beauty. Inspired by the beauty of the world so exciting and vibrant.

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