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Painting, Acrylic on Fabric
Size: 24 W x 28.3 H x 1.3 D in
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'Gold Leaf Inversion', acrylic on pre-printed fabric, 24 W x 28.3 H x 1.3 D inches, (60 W x 72 H x 3cm). I started this work by drawing a biomorphic circle on the leaf designed fabric. I then superimposed one of my perpendicular designs on the fabric but turned the design upside-down only when it entered the circle. I had intended to add various tones and colours to this perpendicular design but decided in the end that the gold acrylic paint was the optimum choice for this painting. The perpendicular design developed from my interest in neo-plastic’s strict rules of using only horizontal and vertical lines in a composition, the leaf design and biomorphic circle disrupt this neo-plastic rule. This like other of my paintings explore tensions between the ‘controlled & harmonious’ and the ‘random & chaotic’.
2020
Acrylic on Fabric
One-of-a-kind Artwork
24 W x 28.3 H x 1.3 D in
Not Framed
Yes
Ships in a Box
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Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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Born and now living in County Cork Ireland. www.michaelhegarty.com Originally graduating in fine art from the Crawford School of Art Cork in 1981, my work instinctively reflected the art ideas of the time represented by movements such as firstly The Pictures Generation and then Neo-Geometric Conceptualism. Today I see my work grounded in concepts originating in these movements. Neo-Geo artists created artworks that were influenced by the style of earlier developments in twentieth century art –such as Minimalism, Pop Art, and Hardedge Abstraction. Grace Glueck, one of the key documenters of the movement, notes “The painters among the Neo-Geo movement consciously recycled geometric motifs of the 1960's and 70's in their canvases, but put them to new use, regarding their geometry as referential rather than abstract.” My paintings explore formalist abstraction through a post-pop/post-modern lens. On the one hand they seek universal truths, each painting is a manifestation of what is… a specimen of existence. On the other hand, from a pop art sensibility the paintings explore the topographic nuances of consumer culture, the vagaries of taste in the use of found fabrics from domestic interiors and the rotations of fashion and obsolescence. The oval format I use underlines the physicality of my paintings, which rely on a subtle rather than an impasto form of expression. It also references the quaintness of modernist abstraction; the utopian belief in new promises and shapes of the future, a future that certainly cannot be taken for granted any more.
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