VIEW IN MY ROOM
Australia
Painting, Oil on Canvas
Size: 45 W x 52 H x 1.2 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
This painting was just for fun, I don't often paint flowers. Down the end of my street is a beautiful flowering Hibiscus, I pass it every day and it makes me feel happy when I see it. Its a painting that captures the beauty and colour of this plant, I like the play of positive and negative space. The use of bold colour and gold and silver leaf I tend to work in layers, no matter what I am painting, I apply colour in washes and then work back to white in this instance. I have also used gold and silver leaf to give a bit of richness to a fairly minimal pallet. This painting comes framed in a white gloss frame and gold inner fillet, the dimensions specified include the frame
Original Created:2018
Subjects:Floral
Materials:Canvas
Styles:Expressionism
Mediums:Oil gold leafsilver leaf
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:45 W x 52 H x 1.2 D in
Frame:White
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Australia.
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Australia
Born of North Frisian and Scottish parents in Yorkshire England, Heidi immigrated to Australia in the 1970’s. Her verdant childhood in England, Germany and South East Asia combined with the raw world of Brisbane in the 70’s and 80’s are all contributing factors in her work to date. Heidi went onto professional training and graduated in Fine Art at the Queensland College of Art during its evolving years under Alan Warren’s directorship at Seven Hills. Since graduating Heidi has worked in the industry variously as an exhibiting artist and curator but it is in her extensive overseas sojourns to Europe, North and Central America and more recently New Zealand that she has arrived at a source of inspiration that breathes and inhabits her work with a visceral silk which speaks of a soulful landscape reminiscent of the works of Chagall and Ryder with a nod to Caspar David Friedrich. What has become most evident in the later period of her work is the change in palette; gone are the vibrant and severe colour combinations of her Navajo series and the somnambulist stroke of her Tuscan exhibition. What came was the more monochromatic gradation of tone that we see today. In New Zealand she explored light and dark with a simplification of form and an affinity with the unique ruggedness and vitality of the coast. To date much of her early symbolism still remains and provides a link between the sacred and the earthly so that we see an arc of a life well traveled and receptively informed by its traverse. Heidi continues to draw upon a range of life experiences and emotions; the inner landscape and the outward solitude that we all thrive for or experience when we are amongst nature. Her work embraces a coming together with oneself, a beautiful salute to hope and celebration, a palette that the colours of South East Queensland bleed from on a moonlit night.
Artist featured by Saatchi Art in a collection
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