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23
View In My Room
Painting, Oil on Canvas
Size: 24 W x 24 H x 1.5 D in
Ships in a Box
766 Views
23
Featured in the Catalog
Artist featured in a collection
Today has been a beautiful early summer's day, so I shot off to Croig beach with Sula the spaniel to take advantage of the good weather conditions! While I was there I was thinking of how lucky I am to have an amazing and beautiful woman in my life. Yes, it's a story well told, but it's beautiful and so special. I trundled back home in my frustrating VW (the most temperamental car in the world) and painted this from memory. It has my emotion and so it is fast and expressionistic. I had some poetry on the radio when I was painting which got me in the zone. When inspiration comes there is no ignoring or stopping it.
2016
Oil on Canvas
One-of-a-kind Artwork
24 W x 24 H x 1.5 D in
Not Framed
Not applicable
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United Kingdom
I studied Fine Art among the lush embrace of the British sub-tropical gardens of Falmouth School of Art, dedicating my focus to printmaking with a specialization in photopolymers. Embarking on an entrepreneurial journey, I established my own print and design enterprise in 1997 with much needed and valued support from the Prince's Scottish Youth Business Trust and Highlands and Islands Enterprise. My projects have spanned the spectrum from promotional printing to the artful domain of package design. I am excited to have exhibited and sold art and design work across the globe. I have worked for the past 14 years in the arts sector for one of the busiest and outstanding arts organisations in Scotland, An Tobar and Mull Theatre, as the Marketing Manager (among the less tropical gardens of Tobermory). My arts practice delves into the nuanced exploration of luminosity, metallic constituents, and ephemerality within the realm of expression. Employing a sophisticated amalgamation of stratification, photographic technique, and the application of industrial paints upon randomised and sytematically treated metallic surfaces, my work predominantly manifests through the magnificent medium of printmaking, utilizing solarplates, copper, and zinc plates. My investigation is steeped in the profound aesthetic tenets intrinsic to the Japanese philosophy of impermanence (Wabi Sabi), and it is distinguished by the integration of industrial and naturally randomized methodologies. This results in compositions that harmoniously synthesize traditional printmaking and painting techniques alongside modern industrial processes.
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