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"Hell Encircled" Painting

Jill Slaymaker

United States

Painting, Oil on Wood

Size: 46 W x 64 H x 2 D in

Ships in a Crate

This artwork is not for sale.

222 Views

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This painting took three years to make, in response to reading Dante Alighieri's Inferno, as well as seeing the work of Northern Renaissance painter Joachim Patinir (the "grandfather of landscape painting"), whose work I fell in love with at the Metropolitan Museum of Art. Hieronymous Bosch has als...

Year Created:

2015

Subject:
Mediums:

Painting, Oil on Wood

Rarity:

One-of-a-kind Artwork

Size:

46 W x 64 H x 2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

Exploring the idea of multiple and simultaneous realities, as well as the interconnectedness and interdependence of all phenomena, is the focus of my work. I sometimes paint over journal pages, doodles, and in Mostly Bad Ideas, index cards with ideas for artworks never executed. Transforming personal ephemera into art is a way of layering meaning, wasting nothing, and witnessing the passage of time through personal history. I'm trying to capture the idea that we each view the world through a unique lens, and though connected, we exist in a world of endless and conflicting realities. The "handbook" drawings began by discovering a 1944 medical book investigating hand shapes and illness. Its images of supposedly schizophrenic hands intrigued me. I've been painting over its pages, creating groups of six drawings to be framed together as one. My End is My Beginning and My Senses Unsensed are the first groups in the series. I combine fragmented 'puzzle piece' images to create semi-abstract, open ended narratives . I have experimented with many techniques and media over the years, including iron oxide, slate, beeswax, glow-in-the-dark paint, metal leaf, blood, sound, found objects, installation, mosaic tile, lithography, etching and chine colle. - new work - thirty years' work

Artist Recognition
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