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Hole In The Wall Painting

Larain Briggs

United Kingdom

Painting, Acrylic on Canvas

Size: 12 W x 10 H x 0.5 D in

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About The Artwork

This painting is a progression from the series 'Windows to My Soul'. The previous 'Windows' work was developed from experimentation with abstract expressionism. After studying the German Expressionists and previous to that Marcel Duchamp, I became interested in Rauschenberg, particularly the textures he created and his mark making. I've been using a squeegee and credit card. I am now also using various palette knives and brushes. This painting also incorporates interference paints in the blue centre of the painting. The interference paint has been painted onto an acrylic surface, with pvc glue painted over that, collage on top of that and another layer of glue . This sheet of dry pvc was then peeled off and laid onto the orange and gold painting. This wasn't planned in any way. I had wanted to experiment with plasticising paper after Sylvia Paul had demonstrated to me how she had worked with this. It just felt right to lay this onto this painting. I usually go with whatever feels right, which is why I think my paintings can appear to be so different at times. My work is varied as are my emotions. I believe that somehow if I can allow it to just happen then I will be able to project myself onto the canvas. As always, I am happy to see archetypal images appear as I then feel I am reaching even deeper into my unconscious where it is shared with others, where our more instictive emotions lie. I often meditate for 10 minutes before painting. If I am trying to access some particular emotion as in the 'Windows' series I focus on that but if I wish to access my unconscious at a deeper level then I will try to empty my mind. Whilst painting I allow myself to see images but to not lock onto them so that the painting remains fluid. It can take a long time before a painting is finished and will often go through a series of titles as it changes and evolves. As the painting develops it aquires many layers and actually appears to have more depth, which is an aesthetic preference of mine. I believe the ambiguity in the marks encourages archetypal images to develop in the mind of the viewer, which creates a healing quality similar to that which happens in art therapy. This would be the ultimate goal for my work, I could think of nothing better than to heal others through my work.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:12 W x 10 H x 0.5 D in

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Larain Briggs, a British painter, embraces a multi-disciplinary approach in her artistic practice. Born in 1960 and raised in Kent before relocating to London, Briggs currently resides on the East Coast, where she is engaged in doctoral studies in fine art at the University of East London. Inspired by Jungian concepts, her work establishes profound dialogues with the unconscious, employing transformative processes to facilitate individuation. Grounded in Jungian theory, Briggs perceives the contemporary world, marked by radical shifts in philosophy, religion, science, and art, as an archetypal apocalypse, wherein humanity collectively confronts a global catastrophe of uncertain magnitude. Guided by a sense of awe and apprehension towards the escalating complexity of the digital realm, her research delves into the meta-crisis and the digital sublime. Influenced by artists such as Anselm Kiefer and Bill Viola, who share a similar conceptual foundation, as well as theorists Huston Smith and Simon Morely, Briggs' artistic exploration unfolds within a rich tapestry of diverse influences. Briggs' painting is imbued with the influence of digital media, incorporating elements of AI, VR, and photomanipulation to shape its content. Briggs expands her creative practice by venturing into installation, video, and assemblage, interrogating the boundaries between frame, surface, and three-dimensional space. Drawing inspiration from the works of artists Sarah Sze and Matthew Ritchie, she delves into the intricacies of these artistic dimensions. This multidimensional approach enriches the depth and scope of her artistic expression. Briggs' artistic journey commenced with a Bachelor of Arts degree in fine art from Camberwell College of Arts in the 1980s. Since then, she has extensively exhibited her work, augmenting her practice through immersive studies in Computer Aided Visualisation, Art Education, Psychology, and Art Therapy. These educational pursuits, pursued at institutions such as Goldsmiths, the University of East Anglia, and the Institute for Art in Therapy and Education, have contributed to the evolution of her artistic practice, imbuing it with diverse perspectives and methodologies.

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