VIEW IN MY ROOM
United Kingdom
Painting, Oil on Canvas
Size: 31.1 W x 47.2 H x 1.1 D in
Ships in a Crate
Shipping included
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A work made during a strange existential time in human history. I like the viewers of my work to keep looking. There are many layers and emotions there, as there is with us. Figures shiifting in the colour. Flesh of life. I like to work very instinctively using a pallette knife mostly, I almost sculpt with colour. Manipulating the performance of the paint. Its a chancy game, as any painter will tell you, But when it has a correctness to it, It is divine.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:31.1 W x 47.2 H x 1.1 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Canadian-born Jennifer Mills moved to London aged 3 where she still resides and works. She has spent her life pursuing many creative passions. At 17 she pursued full time studies in dance, but returned to her first love of painting, securing a place at Central St. Martins School of Art where she trained under London Group Artist Mike Thorpe. Jennifer often uses film, music and particular images that resonate with her whilst she is painting. Her work is evocative and passionate and is constantly evolving. Painting humans using figurative expressionism and/or her style of portraiture. The paint/colour is sculpted on the surface. She is interested in the presence they evoke in an unspecified space. How they represent deep sensibilities and the human state. Her figures grow out of a dialogue with the paint. The illustrative turns into sensation using autobiographical influences.
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