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IN SEARCH OF THE ELUSIVE Painting

bodhi selvam

India

Painting, Acrylic on Paper

Size: 20 W x 33 H x 0.1 D in

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135 Views
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About The Artwork

Written By : Lakshmi Venkatraman The large pen and ink – black or blue - drawings with extremely intricate details take one’s breath away. They reveal weeks of untiring dedicated work. All those fine lines and patterns around a central circle or interwoven circles and triangles lead the eyes inevitably to a central figure in silhouette resembling the Buddha, which according to the artist Bodhiselvam is only symbolic, representing the focal point of the elusive something, a core essence of life, which one should aim at. As a young boy Selvam was not interested in going to school. He preferred wandering around the wooded areas, the river, the lily ponds, the meadows near his village. He loved watching the sun rise and sunset, gazing at the sky, the moving clouds, feeling the breeze on his face, being in meditation as it were. After a failed second attempt by his mother to put him in school, with his father’s support he opted to take the cattle for grazing. He enjoyed being with the animals and his favorite pastime of being out in nature. It was some kind of an intangible calling, which he could not put his finger on. During his teens he had a vision where he saw the Buddha and the beggar, who used to sit under a tree as if meditating, whose eyes seemed to bore through the young boy. This intrigued Selvam a lot and he began looking for answers. In 1994 he requested people to call him Bodhiselvam because it was the teaching of the Buddha which attracted him much. He wondered why people would not surrender themselves to the Supreme Being with a pure heart as advised by the Buddha. He realized that one should look within oneself to understand the reason for one’s existence. Coming across spiritual books in a library, driven by a longing to learn about the philosophies in them, Selvam taught himself to read; ‘it was through meditation that I was able to learn to read’ says he. He read Buddhist and Hindu philosophies, but he did not leave out even Karl Marx. He travelled to Buddhist centers all over India such as Bodhgaya and meditated. He read Patanjali’s Yoga sutra many times and began to explore the energy Chakras in the human body and about raising the Kundalini. “Patanjali teaches us what Yoga really is, not the popular physical exercises we see now”, says Bodhiselvam. He even now takes groups for Yoga and Dhyanam to places without much human presence, where one can be one with Nature. The current series of drawings are a continuation of the search for the ‘elusive something’. The aim of the perfectly symmetrical drawings with never ending fine details seem to lead to the small though most important central shadowy figure, as if it is the force controlling the universe; the center of energy spreading out in waves represented by the circles and other forms. In some there more than a single Buddha like figure set in the center of surrounding circles or triangles. Just as the viewer’s eyes move from one figure to the other trying to focus on the most important figure, one might take it that it is equal to the artist’s search too moving restlessly to focus on the elusive core, so that he might house it in his heart to meditate upon. As the artist himself seems to be searching for answers through his drawings, it would be best for anyone to just enjoy the visuals and not try to pinpoint the meaning of them.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:20 W x 33 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Bodhiselvam 25-October-1969 Kanchipuram, Tamilnadu. Buddha paintings, Mr. Bodhiselvam, who has given a new dimension to our conceptions of Buddha and explored the unchartered terrains in the Buddhist enlightenment. How Buddha would have looked like? The painter’s lines and dots provide an answer to this mystic question. Why has he chosen Buddha as the pivotal force for his portraits? The way Siddhartha in the third century B.C shed his cozy and comfortable princely life and set out to get at the root of answers to some mysterious questions about life, struggle and death has charmed Mr. Bodhiselvam. The spell is so deep and everlasting that he set out to identify his life and outlook with Buddhist teachings and also draw up portraits of Buddha in His state of nirvana. His paintings dexterously recapture the very moment of Buddha’s enlightenment, the ‘sambodhi’ moment as he calls it. He says about how he was captivated by His journey towards the roots of the universe. Disrobing himself of the royal comfort, he went out in search of the roots. Initially meeting five saints or sanyasins, he undertook a severe and austere penance, subjecting himself to a rigorous schedule of denial, forgoing food and water for years together. He was abandoned by His own men and yet He pursued his goal of enlightenment. Finally when He attained the most previous ‘gnanam’ or the state of nirvana, the roots of the universe such the expansive and elegant skies, sparkling stars, mesmeric and mysterious moon, winged winds, swinging plants, creepers and all brings buzzing with beauty got into His head. Around Buddha’s new head shone a halo, holy and blissful. It is this rarest of rare moment that has permeated Mr. Bodhiselvam’ s paintings. The traditional image of Buddha cannot be seen in his works. The portraits of Lord Buddha’s head over which the plants hang and His face exuding an air of the great enlightenment bring back alive Buddha in his magic moment of enlightenment from the archives of centuries. Like Buddha who did not have any guru or teacher in his spiritual journey, Mr. Bodhiselvam too did not have teacher to learn from. His painting style is absolutely self-made in the sense that as he is a self-made painter, he says that his portraits draw themselves. The moment he drew up Buddha’s head with a bamboo stick dipped in black, the rest of the features automatically came alive into the picture.

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