VIEW IN MY ROOM
Belgium
Painting, Oil on Canvas
Size: 38.6 W x 38.6 H x 0.2 D in
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Ecstasy and contemplation of a face surrounded by vague dreams. Like a dream character during a dream in the darkest of nights. Seated in front of the model, almost motionless, I leave space and the succession of time. I become her thing, without distance from her. A strange receptivity opens up which tightens the tightest bond between us. This is the work in progress. I no longer feel the thickness of my body, nor its warmth, nor its muscles. I am only receptive to the substance of this girl who invades the canvas, to her body which advances following the face and enters me. Glare of the eyes in the gaze of the fairy. Silent sensation of the physical grace of a woman who gives herself body and senses. We move forward together far from the world, without judgement, without decision, without reflection, without refraction, without regret: pure density.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:38.6 W x 38.6 H x 0.2 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Belgium.
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Born in 1948 in Belgium, Daniel Moline de Saint-Yon is a Belgian writer and portraitist living and working in the countryside near Spa. He graduated as an philosopher from FUNDP in Namur and lived as an artist 16 years in Japan (until 1990). His work has been regularly exhibited in solo and group exhibitions in Belgium and Japan. Staying receptive to the history and the cultural interaction between Europe and Japan is one of his main concern. Moline’s creative process starts with sketches and drawing from life on the canvas. He paints mostly portraits (mainly women), spending a great deal of time with each subject, a rapport with his model being necessary to work. He tried several mediums but somehow always returns to amber as he finds it the ideal and enigmatic partner adapted to his needs of expression. This light oily substance of rare purity and beautiful transparency takes some days to dry out, but brightens tonnes and offers remarkable elasticity. Several thin layers of extra-fine paint will sustain for ever the ardour an bloom of color fields with strong visual impact. A patient process for a unique result ! Moline’s artistic career ( by Emmanuelle Dubuisson, in french) : « Peintre de figures, de portraits et de grandes compositions dans un style fortement graphique. Formation à Namur en Belgique avec Luc Perot, puis au Japon où il étudie la décoration et devient l'élève du Maître Ryû Oda. Il pratique ensuite la calligraphie avec le moine zen Tainin Yukimura dans un temple à Shobara. Lauréat en 1984 du concours du Kansaï à Kyoto, il participe à plusieurs expositions à Tokyo, Kyoto et Kobe, où il séjournera seize ans (1973-1990). Conjuguant les approches orientales et occidentales, sa démarche picturale sʼinscrit alors en de larges compositions volcaniques où trônent dʼépais personnages au graphisme vigoureux et dont lʼénergie vitale fait ressortir une violence expressive. Lʼœuvre porte aussi les traces dʼune calligraphie pratiquée chez les moines bouddhistes, qui se mêlent aux formes nues dans un foisonnement de taches de couleur, de courbes douces et dʼentrelacements surprenants. On y retrouve aussi des traits communs avec lʼœuvre du peintre japonais Shôhaku. Les sujets, liés au corps, souvent nus, évoquent accouchements, accouplements ou corps doubles, et allient, dans un mélange de tout et de néant, tendresse et cruauté. Comme si la violence de ces figures s'accompagnait toujours dʼune bienveillance retenue envers la vie.
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