VIEW IN MY ROOM
In the Middle of Something? Painting
Vietnam
Painting, Acrylic on Soft (Yarn, Cotton, Fabric)
Size: 15.7 W x 13.8 H x 1.4 D in
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About The Artwork
This work employs multiple mediums on a plastic mesh stretched across a designed frame. This frame is one of those that I received from my Dad who worked on Vietnamese traditional lacquered painting and already retired. I continue advancing the method that I developed from the conventional method of the Vietnamese silk painting. In this case, by employing oil paint or acrylic paint applied on the backside of the painting, the texture of the mesh is molded by these pasty pigments, and resulted in its own structure on the front side. And it creates the tactile effect.
Original Created:2019
Subjects:Typography
Materials:Soft (Yarn, Cotton, Fabric)Wood
Mediums:AcrylicOilFound Objects
Details & Dimensions
Painting:Acrylic on Soft (Yarn, Cotton, Fabric)
Original:One-of-a-kind Artwork
Size:15.7 W x 13.8 H x 1.4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Vietnam.
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A Vietnamese independent visual artist based in Ho Chi Minh City, Vietnam. My career started off as a commercial designer after I accomplished a major in Industrial Arts/Ceramic Art in Vietnam in 2005. After a period of postgraduate study in Japan (2011-2017), I returned to Vietnam and established my atelier. My practice is evolving towards the physical characteristics of visual and tactile sensation through the properties of materials. My works are expanded from ceramics to mixed-media surfaces. With an expectation of being able to extensively propose an art appreciation to even the visually impaired people, I considers the integration of tactile interpretation onto my visual artworks as an ‘inclusiveness’; and it is channeling my study into an investigation of the relationship between the ‘inclusive’ and the ‘exclusive’ aspect within a context of contemporary society.
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