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Oxidized pigments (aluminium, copper, gold, iron), water-based medium, oil, Epson UltraChrome Ink, and fabric (collage) on canvas

The basis of the artwork is an over-painted auction advertisement. Pigments like gold, silver, copper, aluminium, and iron mixed with water-based mediums are the starting point. The color constantly challenges the viewer's eye through oxidization, their different facets, their shading, and the juxtaposition of different hues, and undertones. The obliteration of the motive by gigantic brushstrokes as a performative process of dragging, scraping, combing, raking and squeegeeing paint, pigments, and mediums across the surface becomes the subject matter of the painting. The background remains saturated through grooves made by smaller brushstrokes until the canvas picks up textures, gestures and happenstance along the way. The light hides itself in the crevices of silver and gold, sculpted by the line of the brush and the oxidization of the pigments.
Oxidized pigments (aluminium, copper, gold, iron), water-based medium, oil, Epson UltraChrome Ink, and fabric (collage) on canvas

The basis of the artwork is an over-painted auction advertisement. Pigments like gold, silver, copper, aluminium, and iron mixed with water-based mediums are the starting point. The color constantly challenges the viewer's eye through oxidization, their different facets, their shading, and the juxtaposition of different hues, and undertones. The obliteration of the motive by gigantic brushstrokes as a performative process of dragging, scraping, combing, raking and squeegeeing paint, pigments, and mediums across the surface becomes the subject matter of the painting. The background remains saturated through grooves made by smaller brushstrokes until the canvas picks up textures, gestures and happenstance along the way. The light hides itself in the crevices of silver and gold, sculpted by the line of the brush and the oxidization of the pigments.
Detail
Detail
Detail

3373 Views

60

View In My Room

Institutional Critique Painting

Peter Vahlefeld

Germany

Painting, Acrylic on Canvas

Size: 53.1 W x 78.7 H x 2 D in

Ships in a Crate

SOLD
Originally listed for $11,240

3373 Views

60

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Featured in Inside The Studio

Featured in Inside The Studio

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Oxidized pigments (aluminium, copper, gold, iron), water-based medium, oil, Epson UltraChrome Ink, and fabric (collage) on canvas The basis of the artwork is an over-painted auction advertisement. Pigments like gold, silver, copper, aluminium, and iron mixed with water-based mediums are the starting point. The color constantly challenges the viewer's eye through oxidization, their different facets, their shading, and the juxtaposition of different hues, and undertones. The obliteration of the motive by gigantic brushstrokes as a performative process of dragging, scraping, combing, raking and squeegeeing paint, pigments, and mediums across the surface becomes the subject matter of the painting. The background remains saturated through grooves made by smaller brushstrokes until the canvas picks up textures, gestures and happenstance along the way. The light hides itself in the crevices of silver and gold, sculpted by the line of the brush and the oxidization of the pigments.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

53.1 W x 78.7 H x 2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Peter Vahlefeld's visceral artworks combine a rigorous, process-based practice, continually rethinking the possibilities of painting. The act and idea of »building« the paintings encapsulates his multi-tiered approach to each piece that unfold in an intricate, unpredictable interaction of layers and excess—a constant juggling of paint, prints, fabrics, and effect to enhance the capacity of the surface. Using references to a broad array of sources, including art history, literature, and pop culture, he creates paintings that alternate between flat experience and dimensionality. Perfectly poised between European and American traditions (Art Informel, Abstract Expressionism, Pop Art), they draw their actuality from the collision between the visual codes of mass media and the subjective traces of painterly expression and combine complexity into a visual richness that is neither figurative nor abstract. Peter Vahlefeld has participated in a variety of solo exhibitions, art fairs, and venues such as Neumeister Fine Art Auctioneers (Munich), Sotheby's (Vienna), Fritz Hansen (Denmark) and Allianz Art Collection. His work can be found in private and corporate collections throughout Europe, the United States and Asia. Peter Vahlefeld was featured on the German television channel ZDF, and currently works in Berlin and Munich.

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Featured in Inside The Studio

Featured in Saatchi Art's curated series, Inside The Studio

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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