view additional image 1
View in a Room ArtworkView in a Room Background
My paintings reflected a multicultural perspective, brought together the oriental undertone and abstraction. The challenge during the whole process of creating the artwork is making it visually attractive without losing a sense of its cultural specificity. Beneath what we see on each of the painting surfaces, layers that are overlaid by another layer, parts that are destroyed and covered. As many of untold stories, they become invisible. In spite of images that are recognizable to the eyes, as someone might see in my painting a melted landscape, a wave, a map, trees or rocks, that are just appearances. I think it's more important to look for intangible elements that helped to pervade those visual representations. The feeling of emptiness and alienness through gaps, patterns of absence, in-between spaces that are struggling to reconnect within the whole composition. The invisible forces that fight against gravity and take control of my painting's movement. At the heart of my artwork, I believe, is the attempt to harmonize the contradiction between past and present, invisible and visible, East and West. My desire to use the power of visual language transcends national and cultural boundaries.
My paintings reflected a multicultural perspective, brought together the oriental undertone and abstraction. The challenge during the whole process of creating the artwork is making it visually attractive without losing a sense of its cultural specificity. Beneath what we see on each of the painting surfaces, layers that are overlaid by another layer, parts that are destroyed and covered. As many of untold stories, they become invisible. In spite of images that are recognizable to the eyes, as someone might see in my painting a melted landscape, a wave, a map, trees or rocks, that are just appearances. I think it's more important to look for intangible elements that helped to pervade those visual representations. The feeling of emptiness and alienness through gaps, patterns of absence, in-between spaces that are struggling to reconnect within the whole composition. The invisible forces that fight against gravity and take control of my painting's movement. At the heart of my artwork, I believe, is the attempt to harmonize the contradiction between past and present, invisible and visible, East and West. My desire to use the power of visual language transcends national and cultural boundaries.
My paintings reflected a multicultural perspective, brought together the oriental undertone and abstraction. The challenge during the whole process of creating the artwork is making it visually attractive without losing a sense of its cultural specificity. Beneath what we see on each of the painting surfaces, layers that are overlaid by another layer, parts that are destroyed and covered. As many of untold stories, they become invisible. In spite of images that are recognizable to the eyes, as someone might see in my painting a melted landscape, a wave, a map, trees or rocks, that are just appearances. I think it's more important to look for intangible elements that helped to pervade those visual representations. The feeling of emptiness and alienness through gaps, patterns of absence, in-between spaces that are struggling to reconnect within the whole composition. The invisible forces that fight against gravity and take control of my painting's movement. At the heart of my artwork, I believe, is the attempt to harmonize the contradiction between past and present, invisible and visible, East and West. My desire to use the power of visual language transcends national and cultural boundaries.
My paintings reflected a multicultural perspective, brought together the oriental undertone and abstraction. The challenge during the whole process of creating the artwork is making it visually attractive without losing a sense of its cultural specificity. Beneath what we see on each of the painting surfaces, layers that are overlaid by another layer, parts that are destroyed and covered. As many of untold stories, they become invisible. In spite of images that are recognizable to the eyes, as someone might see in my painting a melted landscape, a wave, a map, trees or rocks, that are just appearances. I think it's more important to look for intangible elements that helped to pervade those visual representations. The feeling of emptiness and alienness through gaps, patterns of absence, in-between spaces that are struggling to reconnect within the whole composition. The invisible forces that fight against gravity and take control of my painting's movement. At the heart of my artwork, I believe, is the attempt to harmonize the contradiction between past and present, invisible and visible, East and West. My desire to use the power of visual language transcends national and cultural boundaries.
455 Views
41

VIEW IN MY ROOM

Interbeing II Painting

Kenny Nguyen

United States

Painting, Acrylic on Canvas

Size: 80 W x 48 H x 2.5 D in

Ships in a Crate

info-circle
$15,750

check Shipping included

check 14-day satisfaction guarantee

info-circle
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
455 Views
41

Artist Recognition

link - NFT Artist

NFT Artist

link - Featured in One to Watch

Featured in One to Watch

link - Featured in Rising Stars

Featured in Rising Stars

link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

My paintings reflected a multicultural perspective, brought together the oriental undertone and abstraction. The challenge during the whole process of creating the artwork is making it visually attractive without losing a sense of its cultural specificity. Beneath what we see on each of the painting surfaces, layers that are overlaid by another layer, parts that are destroyed and covered. As many of untold stories, they become invisible. In spite of images that are recognizable to the eyes, as someone might see in my painting a melted landscape, a wave, a map, trees or rocks, that are just appearances. I think it's more important to look for intangible elements that helped to pervade those visual representations. The feeling of emptiness and alienness through gaps, patterns of absence, in-between spaces that are struggling to reconnect within the whole composition. The invisible forces that fight against gravity and take control of my painting's movement. At the heart of my artwork, I believe, is the attempt to harmonize the contradiction between past and present, invisible and visible, East and West. My desire to use the power of visual language transcends national and cultural boundaries.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:80 W x 48 H x 2.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Kenny Nguyen creates what he calls “deconstructed paintings”, large, bold works that are comprised of hundreds of silk strips, which he cuts, paints, and meticulously applies onto canvas. The pieces may be hung in different iterations: sculpturally on the wall with undulations or flat, stretched like a painting on bars or behind glass. Born in Vietnam, Kenny moved to the states in 2010. After art school, he spent his early career in fashion. Working with silk has ties for the artist not only to dressmaking and patterns, but also long-standing associations to the material through his culture. The idea of cutting a fabric revered for its symbol of wealth, its beauty and delicacy in clothing, and its century-long ties to trade and status in Asia was a breakthrough for Nguyen. By taking something from tradition and reconstructing it, he was maintaining an association with his past while also making it is own. The process itself like the artist himself, a hybrid, blending cultures, and ideas, bringing to light the idea how identity is constantly changing over time, creating beauty and versatility. His works have been exhibited at Sejong Museum of Art, Czong Institue for Contemporary Art, Seoul, South Korea, LaGrange Art Museum, GA, Florida State University Museum of Fine Art FL, Brownsville Museum of Fine Art TX, Capitol Hill Building D.C., Katzen Art Center at the American University D.C., Orange County Center for Contemporary Art CA, Art Market San Francisco, Seattle Art Fair, Frieze LA. In 2016, Nguyen received an Excellence Asia Contemporary Young Artist Award from Sejong Museum of Art. He was also awarded Artist Residency Fellowships from the Ragdale Foundation, Chicago, IL, The Hambidge Center, GA, Vermont Studio Center, VT, Gil Artist Residency, Akureyri, Iceland, Château d’Orquevaux, Orquevaux, France, AIR Guidiguada Gran Canaria, Spain.

Artist Recognition

Featured in One to Watch

Featured in Saatchi Art's curated series, One To Watch

Featured in Rising Stars

Handpicked by Saatchi Art's Chief Curator for our most prestigious feature, Rising Stars

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Los Angeles, New York, Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support