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Interplay

As can be seen in the large “orchestral picture” (209 x 325 cm) entitled “Interplay”, colors can sound as if they were playing together symphonically in the diverse “color tones” of their instruments. Just not on the timeline one after the other, but interwoven timelessly, so to speak, as a “sound carpet” in complex rhythmic brush strokes with one another on the image surface (and yet spatially acting). 

There are numerous analogies between music and abstract painting. Concepts such as “timbres” or “color sounds” make this tangible. Music has always had the advantage of not having to depict the outside world, being allowed to be a purely momentary sound event over time. Painting had to achieve this freedom since the beginning of the 20th century.

The landscape painting can be hung rotated 180 degrees. It is therefore signed for both views (bottom right). 

The canvas is rolled up and sent in a tube (delivered without stretcher frame). The buyer should have it stretched on a stretcher.
Interplay

As can be seen in the large “orchestral picture” (209 x 325 cm) entitled “Interplay”, colors can sound as if they were playing together symphonically in the diverse “color tones” of their instruments. Just not on the timeline one after the other, but interwoven timelessly, so to speak, as a “sound carpet” in complex rhythmic brush strokes with one another on the image surface (and yet spatially acting). 

There are numerous analogies between music and abstract painting. Concepts such as “timbres” or “color sounds” make this tangible. Music has always had the advantage of not having to depict the outside world, being allowed to be a purely momentary sound event over time. Painting had to achieve this freedom since the beginning of the 20th century.

The landscape painting can be hung rotated 180 degrees. It is therefore signed for both views (bottom right). 

The canvas is rolled up and sent in a tube (delivered without stretcher frame). The buyer should have it stretched on a stretcher.
Interplay

As can be seen in the large “orchestral picture” (209 x 325 cm) entitled “Interplay”, colors can sound as if they were playing together symphonically in the diverse “color tones” of their instruments. Just not on the timeline one after the other, but interwoven timelessly, so to speak, as a “sound carpet” in complex rhythmic brush strokes with one another on the image surface (and yet spatially acting). 

There are numerous analogies between music and abstract painting. Concepts such as “timbres” or “color sounds” make this tangible. Music has always had the advantage of not having to depict the outside world, being allowed to be a purely momentary sound event over time. Painting had to achieve this freedom since the beginning of the 20th century.

The landscape painting can be hung rotated 180 degrees. It is therefore signed for both views (bottom right). 

The canvas is rolled up and sent in a tube (delivered without stretcher frame). The buyer should have it stretched on a stretcher.
Interplay

As can be seen in the large “orchestral picture” (209 x 325 cm) entitled “Interplay”, colors can sound as if they were playing together symphonically in the diverse “color tones” of their instruments. Just not on the timeline one after the other, but interwoven timelessly, so to speak, as a “sound carpet” in complex rhythmic brush strokes with one another on the image surface (and yet spatially acting). 

There are numerous analogies between music and abstract painting. Concepts such as “timbres” or “color sounds” make this tangible. Music has always had the advantage of not having to depict the outside world, being allowed to be a purely momentary sound event over time. Painting had to achieve this freedom since the beginning of the 20th century.

The landscape painting can be hung rotated 180 degrees. It is therefore signed for both views (bottom right). 

The canvas is rolled up and sent in a tube (delivered without stretcher frame). The buyer should have it stretched on a stretcher.
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Interplay I (Zusammenspiel I) Painting

Andreas Kuhn

Germany

Painting, Acrylic on Canvas

Size: 128 W x 82.3 H x 0.2 D in

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$22,000

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63 Views
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About The Artwork

Interplay As can be seen in the large “orchestral picture” (209 x 325 cm) entitled “Interplay”, colors can sound as if they were playing together symphonically in the diverse “color tones” of their instruments. Just not on the timeline one after the other, but interwoven timelessly, so to speak, as a “sound carpet” in complex rhythmic brush strokes with one another on the image surface (and yet spatially acting). There are numerous analogies between music and abstract painting. Concepts such as “timbres” or “color sounds” make this tangible. Music has always had the advantage of not having to depict the outside world, being allowed to be a purely momentary sound event over time. Painting had to achieve this freedom since the beginning of the 20th century. The landscape painting can be hung rotated 180 degrees. It is therefore signed for both views (bottom right). The canvas is rolled up and sent in a tube (delivered without stretcher frame). The buyer should have it stretched on a stretcher.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:128 W x 82.3 H x 0.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

« I think that art can create a free space in which the constructive and lively imagination is stimulated. » Andreas Kuhn is an established German artist who exhibits internationally. His works can be found in private collections in Australia, Germany, England, New Zealand, Norway, Scotland, Spain and Taiwan. With wide bristle brushes, the artist brings the colors onto the canvas in swinging and sweeping brush strokes. The pasty consistency of the oil colors allows each brush trace to remain visible as a relief-like structure. Kuhn often overlays several painting layers to form a complex tissue. The light is refracted and reflected by these color structures in such a way that the image appears different and in motion from every viewing angle. Unleashing the power of colors, balancing counter-movements, modulating light: Kuhn is concerned with the harmonious balancing of all picture elements. One subject of his art is the balancing act itself, the dynamic balance of a variety of viewing options. The artist always works in painting cycles, in which he plays through a common theme, a certain color, different color contrasts and paint application, as well as a special kind of mobility, rhythm, etc. in variations. «My art is pure joy in playing with the variety of color nuances, color intensity, color contrasts, color movements, color jumps ... that can radiate far beyond the playing field. This is serious business. Keep playing too ... Lucky You!»

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