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Irena 30 x 30 inch
This playful piece is a color study, with emphasis on blues, intended to be soothing. It is full of texture and plays with light. It features many paints and an intense amount of (nontoxic) phosphorescent paint. I make these myself and they glow all night. . 
To see the maximum intensity of the phosphorescent pigments, expose the painting to sunlight.
I realize glowing pigments risk being cast with velvet Elvis, but they are so fun- one composition by day, a second by night. Viewers gasp when the lights go out, and that makes me smile.
Irena 30 x 30 inch
This playful piece is a color study, with emphasis on blues, intended to be soothing. It is full of texture and plays with light. It features many paints and an intense amount of (nontoxic) phosphorescent paint. I make these myself and they glow all night. . 
To see the maximum intensity of the phosphorescent pigments, expose the painting to sunlight.
I realize glowing pigments risk being cast with velvet Elvis, but they are so fun- one composition by day, a second by night. Viewers gasp when the lights go out, and that makes me smile.
Irena 30 x 30 inch
This playful piece is a color study, with emphasis on blues, intended to be soothing. It is full of texture and plays with light. It features many paints and an intense amount of (nontoxic) phosphorescent paint. I make these myself and they glow all night. . 
To see the maximum intensity of the phosphorescent pigments, expose the painting to sunlight.
I realize glowing pigments risk being cast with velvet Elvis, but they are so fun- one composition by day, a second by night. Viewers gasp when the lights go out, and that makes me smile.
Irena 30 x 30 inch
This playful piece is a color study, with emphasis on blues, intended to be soothing. It is full of texture and plays with light. It features many paints and an intense amount of (nontoxic) phosphorescent paint. I make these myself and they glow all night. . 
To see the maximum intensity of the phosphorescent pigments, expose the painting to sunlight.
I realize glowing pigments risk being cast with velvet Elvis, but they are so fun- one composition by day, a second by night. Viewers gasp when the lights go out, and that makes me smile.
Irena 30 x 30 inch
This playful piece is a color study, with emphasis on blues, intended to be soothing. It is full of texture and plays with light. It features many paints and an intense amount of (nontoxic) phosphorescent paint. I make these myself and they glow all night. . 
To see the maximum intensity of the phosphorescent pigments, expose the painting to sunlight.
I realize glowing pigments risk being cast with velvet Elvis, but they are so fun- one composition by day, a second by night. Viewers gasp when the lights go out, and that makes me smile.
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Irena Phosphorescent 30 x 30 Painting

Michele Burns

United States

Painting, Acrylic on Canvas

Size: 30 W x 30 H x 0.8 D in

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$830

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About The Artwork

Irena 30 x 30 inch This playful piece is a color study, with emphasis on blues, intended to be soothing. It is full of texture and plays with light. It features many paints and an intense amount of (nontoxic) phosphorescent paint. I make these myself and they glow all night. . To see the maximum intensity of the phosphorescent pigments, expose the painting to sunlight. I realize glowing pigments risk being cast with velvet Elvis, but they are so fun- one composition by day, a second by night. Viewers gasp when the lights go out, and that makes me smile.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:30 W x 30 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The driving force of my art is curiosity. Each piece begins with the question “What if?” What if I use these colors, textures, materials, techniques, or objects together? Each work is a surprise package I get to slowly open. I study art, and in my head I divide the field between decorative art that people want in their homes, which is great, and “arty” art that is innovative, original, and sometimes gallery-worthy. I often fail but generally aim for the elusive territory between the two- attempting to create things pleasing to the eye that people might want to live with, while pushing out boundaries for both everyday and more sophisticated art lovers. A unique recurring feature of most of my work is the inclusion of photoluminescent strontium aluminate doped with rare earths. I make the pigments myself for maximum luminance. The works are thereby two compositions, one by day and a second, rather magical composition that appears at night. I employ super-bright child-safe minerals that shed light for 10 to 20 hours after exposure to any visible light, and that continue to be “re-excitable” for decades. I do not have a single style because my relentless curiosity leads me in many directions as I constantly explore new materials, tools, techniques, and “What if?” questions.

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