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This series of works is inspired by the Harper's Magazine article called "Lives by Omission" by J. M. Coetzee: "Are all autobiographies, all life narratives, not fictions, at least in the sense that they are constructions?.....Leaving things out is, I suppose, repression, and the idea seems to be that the bits left out are still there somewhere in the dark recesses of the mind....what we gain in repressing what we do not want to remember we pay for with the subterranean poisoning of other aspects of our lives."
This series of works is inspired by the Harper's Magazine article called "Lives by Omission" by J. M. Coetzee: "Are all autobiographies, all life narratives, not fictions, at least in the sense that they are constructions?.....Leaving things out is, I suppose, repression, and the idea seems to be that the bits left out are still there somewhere in the dark recesses of the mind....what we gain in repressing what we do not want to remember we pay for with the subterranean poisoning of other aspects of our lives."
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VIEW IN MY ROOM

It was becoming more and more difficult to decide to do anything Painting

Mychaelyn Michalec

United States

Painting, Acrylic on Canvas

Size: 50 W x 50 H x 1.5 D in

Ships in a Crate

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SOLD
Originally listed for $5,270
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About The Artwork

This series of works is inspired by the Harper's Magazine article called "Lives by Omission" by J. M. Coetzee: "Are all autobiographies, all life narratives, not fictions, at least in the sense that they are constructions?.....Leaving things out is, I suppose, repression, and the idea seems to be that the bits left out are still there somewhere in the dark recesses of the mind....what we gain in repressing what we do not want to remember we pay for with the subterranean poisoning of other aspects of our lives."

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:50 W x 50 H x 1.5 D in

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My work depicts ultramodern matters of domestic life. Documenting life covertly, I use my phone’s camera to capture our relationships with each other and daily life. Technology has become a part of our relationships. It influences how we interact with one another, where our attention lies, how our bodies are bent, and how we communicate. There is a palpable sense of longing and at times frustration that I try to capture with my photos. Attention is divided. When you connect to some things, you disconnect from others, those choices shape our lives. Similarly, technology has influenced our depiction of domestic life. Social media has idealized family life, but I try to illustrate moments of both simultaneous disconnect and connections. In an era of curated Facebook feeds highlighting the best in family life, there is a saccharine image of family life at odds with the distraction of the digital age. It was the artist Fairfield Porter who said, “Love is paying attention”. His work was always about attending to the experience of looking. This is what I consider while viewing my own home life through the screen of the phone, framing up those moments first through a 3 x 5 inch screen and then through my drawings and paintings.

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