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January snow Painting

Daniil Belov

Painting, Oil on Canvas

Size: 10.6 W x 6.3 H x 0.8 D in

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About The Artwork

Material: canvas on hardboard For the first time in several years I dared to go into a forest to paint en plain air in winter. To paint when it’s cold is always harder. It seems no matter how well you dress you will freeze, because while working on a painting you almost cannot move. Your hands freeze most of all: it’s inconvenient to hold a brush in mittens or gloves and to lay paint on the canvas. And the paints themselves freeze and turn into a dense paste. They don’t mix very well and it’s hard to scoop them with a brush. One can’t remain in such conditions for long, so you need to invent a way to work fast and expressively. The place I was painting at is a stable yard in a forestry. Its dark-grey buildings were contrasting shapes on the background of the snow. In this dark-grey color you can find a variety of colors. The blackish poles that were sticking up from the snow, which melted and froze again more than once this winter, are the trunks of the young trees and dry plants. I decided that I would paint a study with oil: dark shapes on the dark-white background. The whole time I was working was unusually silent. The silence was only occasionally interrupted by rustles of birds and vague voices of infrequent passers-by from a distance. Only when the painting was finished did I realize that the layers of the clothes on me had frozen. With bluish hands I gathered my instruments and quickly exited the forest. Seeing some familiar places reminded me of how I came skiing here as a child with my parents. When we were going back home afterwards, we made a short stop in a bakery and bought hot bread. It was like a trip back to my childhood, but this time I was not carrying skis but rather my painter’s case and a painting I had just created.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:10.6 W x 6.3 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Recently I’ve been interested in the question: how to paint so that the painting would give such strong feelings as the music of Bach or Schnittke? It is the problem I try to solve when I paint my pictures – how to fully express with paints the things that give rise to my emotions. How to express the full variety of these feelings turns out to be what is most difficult. It can be silent contemplative joy, nervous waiting or union of beauty and dramatic effect. That’s why beauty and convergence with nature for me are only some of the means of expression and the revelation of the image. Have you noticed how weather influences your mood, how objects hold memories about what they were associated with, how the world around us influences our emotions, senses, feelings? Compare your mood when warm sunbeams wake you up with when the whole sky is clouded over and rain is pattering on the windowsill. In this sense nature is a splendid figurative method. All I have to do is use it right and to combine it with all the other, no less significant expressive methods, that I control, which will help me to convey exactly what I want to share. I want to deal with such paintings, in contact with which a wave of searing pain will rise to the throat or feelings of joy or peace will overflow; that a viewer, seeing my picture, will live through it with me as its author and performer.

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