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KALóS is a piece inspired by the original called Kaleidoscope, but with the difference that KALóS is made on canvas and it is one of the largest pieces in the series. The composition of KALóS has the characteristic that its main design is inside a circle and it lies on between two solid rectangles that cover the entire surface. The imaginary border that generates with the dividing line formed between the two colors of these rectangles, at the same time it intersects with the circle that remains above them, generating the sensation of hyper dimensionality, and turning the circle into a kind of window or hole where the figure formed by the different planes and lines is trapped in. Another central aspect to build this series is the Kaleidoscope´s structural and architectural analysis; and by naming my pieces after its components I contribute to give it a sense of permanence, turning the ephemeral into a permanent concept. In addition to the kaleidoscope structural aspect; it is the visual effects produced by the mirrors and the internal objects that really push me to give life to pieces that conceptually contain the same visual hyperdimensional language that the eye captures through the device's hole; shapes and figures with saturated colors that sometimes cannot be understood but at the same time they move our emotions due to their unique and whimsical appearance. KALóS No.6 (Canvas of 180 cm x 180 cm x 5 cm.) Note: The colors in the images shown may vary depending on the resolution of the screen of the device from which they are viewed.
Painting:Airbrush on Wood
Size:70.9 W x 70.9 H x 2 D in
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Customs:Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.
From my early age I have been attracted to architecture and I discovered that modernism is the style that inspires me the most but also the aesthetic legacy of the popular arts of Mexico, especially the indigenous arts, and I thought, how would it be to mix it with the aesthetic concepts of the handicrafts and textiles of these ancient people? I confess that it has been an arduous task of permanent experimentation and I can say that from the beginning of my career I have been an abstract minimalist artist but this process has been organically leading me to a metamorphosis where I have allowed myself to go from the extremes of geometric simplism to the saturation of textures of maximalism.
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