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Kisa Gotami And The Buddha Painting

Thomas Ernst

Germany

Painting, Oil on Canvas

Size: 35.4 W x 43.3 H x 2 D in

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$1,870

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About The Artwork

During Buddha’s time, there lived a woman named Kisa Gotami. One day, her baby fell sick and died soon after. Kisa Gotami loved her son greatly and refused to believe that her son was dead. She carried the body of her son around her village, asking if there was anyone who can bring her son back to life. The villagers all saw that the son was already dead and there was nothing that could be done. A village elder took pity on her and suggested to her to consult the Buddha. “Kisa Gotami. We cannot help you. But you should go to the Buddha. Maybe he can bring your son back to life!” She immediately went to the Buddha’s residence and pleaded for him to bring her son back to life. “Kisa Gotami, I have a way to bring your son back to life. Bring me a mustard seed but it must be taken from a house where no one residing in the house has ever lost a family member. Bring this seed back to me and your son will come back to life.” Kisa Gotami went from house to house, trying to find the mustard seed. Moving from house to house but the answer was all the same – every house had lost a family member to death. Kisa Gotami finally came to realise that there is no one in the world who had never lost a family member to death. She now understood that death is inevitable and a natural part of life. Putting aside her grief, she buried her son in the forest. Shen then returned to the Buddha and became his follower.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:35.4 W x 43.3 H x 2 D in

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Thomas Ernst (* 1980) studied physics at the University of Regensburg (Oberpfalz). He works as a manager at SAP near Heidelberg (Kurpfalz). He is married to Anke Ernst and has two kids, Jakob and Marlene. While painting accompanied his whole life, Thomas Ernst decided around 2015 to concentrate more on his passion for art. My idea of painting and the things as they seem.. Abstract painting is about playing with ambiguity, with the vague and with chance. The creative mind tries to feel a fragile and quite subjective tension and beauty in the work. Various elements are available for this, such as colors, shapes and movement. Reduction and contrast. The format of the presentation – the possibility to rest your gaze on the long shot or to come closer and focus on details. The result is non-realistic, so there is nothing clear to see or every viewer can find something of his own in the picture and interpret it for himself. The lack of clarity and a certain degree of fuzziness is therefore wanted and necessary. For me, this type of perception corresponds to the nature of things, and our human understanding and remembering are also based on these principles. A realistic representation hardly leaves any questions unanswered. In art, alienation and creative play with the obvious allow access to something deeper and to the subconscious. Similarly, a deep look into the structure of real objects does not lead to more clarity. At the molecular and atomic level, we ultimately get blurring, as if there were a law of nature behind it all. It seems as if the simple path is blocked for us humans, as if clarity and knowledge are at best subjective. It is the art of the successful painting to find a representation that invites you to linger and allows, perhaps a quiet or powerful, but always a harmonious flow of thoughts and feelings.

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