VIEW IN MY ROOM
Argentina
Painting, Acrylic on Paper
Size: 19.7 W x 27.6 H x 0.1 D in
Ships in a Tube
What is seen . What is not. What you can see through. We people show a part of ourselves and other is hidden. Eyes look, ears hear but “What can we see? What can we hear?” Everything ? Just a part? From far away it seems that we can see everything. But as we come closer layers appear. Details begin to show. And what if we come much more closer? Imperfection shows? What is behind? The folds? Wrinkles? What is it that is hidden? Or is it banned for the public? I’m interested in questioning about people’s different dimensions. Sometimes you get close to somebody and you can see better. Sometimes getting closer deforms the image, distorts it and you loose the wonder, the beauty, the marvellous. You can only see the blind spot? What is missing? What do we show to others? And to whom? Why can we show everything to everybody? Is it shyness? Is it fear? As we come closer we can see more or we can see less? And how this fit into the previous image? Is it improved? It deforms the image? Is deeper what we can see when we are closer or is it not? What we allow and why? And if we hide something? To whom do we hide it? And why? What provoques to be in the gaze of somebody? And what if what other people see about ourselves is not what we show? And what if what other people can see about us is better than we thougth? And what if our own eyes are the ones that can’t see through ourselves? What is not. My work refers to this idea. I work in layers: acrylic, watercolor. Water. At first I begin stayning sheets to clean, to organize, to find a path, to free the hand and stop thinking. From that point emotion appears, shows up. I mix acrylic colors in my hands. In the side of the palm, in the palm, I drugged it on the paper. I rub up the hands and form new colors, new textures. I put a finger on the paper with paint. Paper usually changes colors: white, cream, yellowish, wooden. I work at the same time with 3 or 4 sheets of paper, different sizes. I put another layer with black pencil, sometimes color pencils. Sometimes the pencil walks through the page trazing a line, sometimes passes through the acrylic making a groove. And another layer more with charcoal. Sometimes acrylic paint comes again. I watered some parts of the page. Then it all sums up. Dries. Engraves. And I go to the sewing machine. Free hand machine embroidery completes the whole path and everything makes sense. It’s an imposition dance from the guts. Period.
Painting:Acrylic on Paper
Original:One-of-a-kind Artwork
Size:19.7 W x 27.6 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Argentina.
Customs:Shipments from Argentina may experience delays due to country's regulations for exporting valuable artworks.
Have additional questions?
Please visit our help section or contact us.
Argentina
My name is Vicky Detry. I’m a textil visual and embroidery artist living in Buenos Aires, Argentina. I worked with different techniques: Wood and fabric painting, paper cut, bijouterie, embroidery. I grew up watching my mother and grandmother making marvellous things with their hands and learned to love artistic hand work. My mother left me the best legacy: the ability and pleasure to create with my hands. In 2013 I atended a workshop with the great embroidery artist called Mercedes Güiraldes and I learned the technique of needlepainting and blew my head away. Since then my art work began to grow. I experimented with hand embroidery on fabric and on paper, free hand machine embroidery on paper and on fabric, paper cut, acrylic paint, watercolour, etc. I create pieces for sell, exhibition and comission. I currently teach embroidery in Buenos Aires. And I gave embroidery workshops in Tres Arroyos (Argentina), Santa Fe (Argentina) and Punta del Este (Uruguay). I also collaborated in two embroidery magazines: Bordados I, Bordados II and Bordados III will be out in october 2016. I also have a small embroidery business called “La Negra” where I sell sacred art and objects. In 2016 my piece “Amadré” (free hand machine embroidery over paper) was selected for the “Salón Nacional de arte textil Fundación Romulo Raggio” that took place in November 2016 and I won a Mention Prize.
Thousands Of Five-Star Reviews
We deliver world-class customer service to all of our art buyers.
Global Selection
Explore an unparalleled artwork selection by artists from around the world.
Satisfaction Guaranteed
Our 14-day satisfaction guarantee allows you to buy with confidence.
Support An Artist With Every Purchase
We pay our artists more on every sale than other galleries.
Need More Help?