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Palermo, 2023, June 3rd
Palermo, 2023, June 3rd
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La memoria del fiume Painting

Nini Yūrei Ferrara

Italy

Painting, Oil on Canvas

Size: 31.5 W x 23.6 H x 0.6 D in

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79 Views
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About The Artwork

A stretch of river that has carved out its bed among flower fields. Another metaphor about life. The slow flow of water. In symbolic abstraction, the river returns only a part of itself. One day? A month ? One year? The whole life? A stretch of river that seems to come from under the earth. And then take refuge under the ground. But in the dawn it flows among the flowers. So is life. A hidden, hidden trait to be forgotten. A stretch exposed to the sky, to the stars that can still be seen: love, success, health. Everything we hoped for and is now there. we can touch it, immerse ourselves. Without fear of a red spot that remains at the bottom. In a curl of wave, which finally to the acquems seems to tell the determination to fight every day so that the water never again flows hidden in a tunnel. The life. Simply life. Original Abstract Oil Artwork on Canvas 326 gr/mq, fine grain, cotton/polyester. Format 80×60 cm. Extrafine colors Winton W&N, Schmincke Mussini, M. Harding. Signed on the front and on the back by the author. With certificate of authenticity and with personal identification hologram of the artwork.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:31.5 W x 23.6 H x 0.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

From my website: Yurei is the name chosen to sign my works of Figurative Art. I don’t perceive it as a coincidence, even if everything in my life first appeared in a game shape . “Just for fun” was also my approach to painting: a long period of convalescence, longing for “something in common” with the one beside me, the curiosity to try my hand at a language that had always fascinated but at the same time scared me; the inability to tell using the brushes, and the colors – I have always been in love with black and white -, and the strokes on the paper, the things that pressed inside me and needed to come out. Even more at that time, because they were days in which I was strongly experiencing the after-effects of a hospitalization that showed its unespected disabling profile. On my birthday I gifted myself a small set of watercolors, the cheapest of the brushes, a pad of paper. Nothing more to find again that “inner child” who took me by the arm along my exepriences with Theater, Writing, Photography, and which I was slowly returning to caress. I began to recover. Watercolours, brushes, paper; they all became crutches. The days were no longer “infinite”. I started walking again. No destination. But I was walking. And as life sensed the rustle of footsteps, the slow pace of walking, the adagio on the ground, revealed unknown obstacles and let them appear before my tracing a path. They lead me. I started looking through a new gaze and I touched the essentiality within which I put back together pieces of my days , thrown away randomly by that something “unexpected” that forced me like laces on the wrists, arms, feet, in a huge sea without shore: my dearest ones, my being what I love, my art. “art” that slowly moved towards its noblest, most ancient meaning again: the art of the farrier, the carpenter, the accountant, the comedian, the painter. Craft. I had no “shop” where to train. The stage only. And my Masters. Without ever telling me anything. But in their silence and in my gaze, they conveyed a being Theater that I found every day among uncertain brushstrokes and invented colors, curiosity, a never-sated “depth”, a desire to make mistakes always in a different way. The need to say, beside. The “inner child”. A man who tells stories by profession and has a neverending curiosity as a tool. Thus, Yurei was born. And I keep travelling, cuz each new day, is not over yet.

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