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Lady Merete of Norway Painting

O Yemi Tubi

United Kingdom

Painting, Oil on Canvas

Size: 24 W x 36 H x 1 D in

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About The Artwork

O. Yemi is enchanted by the works of the Renaissance art old masters; most of his recent paintings were influenced by their works. He recently embarked on doing series of paintings in the style of these old masters. “Lady Merete of Norway” is the portrait painting of a young Norwegian lady he met at Art Awards and Exhibition in New York April 2018. O. Yemi chose the portrait painting of the Queen of France, Elizabeth of Austria painted in 1571 by the French Renaissance artist – Clouet Francois as the reference for the “Lady Merete of Norway” portrait project. Using the style of Renaissance portrait painters, O. Yemi hanged the drapery in the front window overlooking the North Cape (Nordkapp), which is one of the notable landmarks of Norway – the country of the subject, at the background of the painting. He also painted sunrise in the background to depict the youthfulness of the subject. O. Yemi captured the bright eyes and the broad smiles of the young lady with the “Mona Lisa effect” as her eyes seem to be gazing back at the viewers at any angle. The message O. Yemi wants to convey to the young lady in this painting is that she should never see herself less than a Queen as she goes through life.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 36 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

O. Yemi Tubi - An Artist and Advocate for the world’s Peace. I am a Nigerian-born, American-trained Artist residing in the United Kingdom an artist with a unique personal style. Most of my recent paintings were influenced by the political and social upheaval of our world today and the works of Renaissance artists. “A work of art which did not begin in emotion is not art” so said Paul Cezanne; I was moved by emotion to do most of my political and socially influenced paintings “THE EAGLE HAS LANDED” was done to speak about the American-led war on terror. My painting “THE BLEEDING ROSES” was done in solidarity with Christians beheaded by ISIS in Iraq and Syria. I used my paintings “AFRICAN’T”, “HUNGER IN THE LAND OF PLENTY” and “OIL: AFRICANS’ WEALTH AND WOE” to speak about the exploitation of African nations. The Painting depicts paradoxical poverty and the riches of Africa. my work, “THE FISHERS OF MEN” is about the horror of refugees drowning in the Mediterranean Sea. I also used my painting – “UKRAINE: THE UNFORTUNATE BRIDE” to speak about the America and Russia-influenced war in Ukraine. I desire my portrait paintings to be uniquely creative. I do not copy images from pictures. I create what the camera cannot create. I use portrait paintings to tell the stories about my subjects and often use my subjects’ professions to create their portraits as I did with the portrait of Professor Wole Soyinka, 1986 Nobel Prize Winner in Literature in my painting “SOYINKA: An Africans’ Literary Icon”, I used artist materials to create my painting “PORTRAIT OF AN ARTIST” and I used the violin to create the face of my subject in the “THE VIOLINIST” My works progress from political paintings to paintings of the facts of the life of people. The theme of my works, in general, is "The Facts of Life: Roses and Thorns." Life is roses and thorns; sometimes it emanates the sweet aroma of pleasantness and sometimes it pricks and causes pains. I often use Roses and Thorns for portrait paintings of the facts of the life of people. I first used Roses and Thorns in my political painting “THE BLEEDING ROSES.” Since then I have adopted this floral iconography style - Roses and Thorns as my unique style in some of my paintings like “DOMESTIC ABUSE”, and “MY MOTHER, Her Majesty Platinum Jubilee: Her Rosy Reign” to name a few. Roses are for achievements and other positive parts of life and Thorns are painful challenges and negative parts of life.

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