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lago di Campotosto Painting

Annaluce AGLIETTO

Italy

Painting, Oil on Canvas

Size: 63 W x 23.6 H x 1 D in

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$2,769

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About The Artwork

Triptych. On a visit to this beautiful Italian lake, I imagined that lynx might roam the still snow-capped mountains. They are very fast, silent and mystical animals. Regarded by all peoples as superior spirits. They are not actually present in the Italian Apennines where the lake is located, but only in the Alps. Anyway, I wanted to imagine that the little girl depicted had the perception of the presence of this beautiful, wild, animal. The painting is made of three canvases painted separately and joined on the rest. Therefore, if the thickness of the canvases is inch 0.787, the thickness of the painting in its total is 1.181. Currently there are wooden strips around the painting, it can be hung like this or replaced with a frame.

Details & Dimensions

Multi-paneled Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:63 W x 23.6 H x 1 D in

Number of Panels:3

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My gaze focuses on nature, animals and man. Protagonist are young people or children, simply immersed in their thoughts or intent on their games, transported into somewhat dreamy, airy and suspended surroundings. Inspiration moves from the enchantment of a gesture or expression, in which I perceive intuitions, fantasies or mild anxieties, references to contiguous worlds: glimpses of nature, surreal elements, animals living in freedom, airplanes and gliders in flight. These things continually fascinate me. Following a perceptive thread, I often paint diptychs or triptychs, short stories in which the representational space is divided and the narration takes place between colored and monochrome canvases, pursuing the psychological connections between moments that are distant in space and not necessarily contemporaneous. I am seeking a dimention where man and nature meet in harmony an intimate, fragile dimension where what is real borders on the world of dreams and intuitions. In 1989, I moved to Rome, where I pursued a demanding career in scenic design for more than twenty years, for theater, film and television alike. Around 2010 I scaled back my activities as a set designer to devote myself more intensively to painting.

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