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Le tableau sans fin. Painting
France
Painting, Acrylic on Canvas
Size: 28.7 W x 36.2 H x 0.6 D in
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About The Artwork
The title "Le tableau sans fin" - The endless picture - is a hint at Brancusi to point the sculptural aspect of this particular painting: its lightly round edges that emphasise the way the painted surface carries on by the sides to the back of the frame like if it was a sheer material a plan of marble of some sorts - the visible independent thread of tapestry nails looking like an added ornament, and of course the surface itself smooth and yet barred by marks, subtle scarifications, mild bruising suggesting an epiderm, layers... In spite of this sculptural aspect that gives it a special presence, the painting still offers an illusionist pictural space aspect where things are dwelling in diferents levels of depth and yet it is abstract, beyond definition.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:28.7 W x 36.2 H x 0.6 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
"Dyslexie, dysorthographie, dyscalculie..." was what i used to hear when i was a child, which drove me to a "Libre école Rudolf Steiner" where i had a very good time learning and dealing with drawing, painting, wood working, knitting...in a very genuine way. It was never called :"ART", but who cares ? The topic back then had more to do with the Cosmos, vitality, energetic fields, rythm, grows, states of minds, of evolution, self-control, harmony and balance, elements that i kept in mind as i became an artist. Later, i got a BA and a MA of art from the royal College of Arts and design London (1989) but getting "on the ball" is another story. My first commitment was with sculpture in free open spaces. I moved then to abstract painting bringing this habit of "making things" in the process of painting. Recently i got acquainted to figurative painting for its political aspect, the need to respond in a more concrete way to our troubled times.
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