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The drawing of a female figure and some dark-green chestnut leaves are the main elements of this “Autumn allegory”. The whole composition is based on neutral tones and natural shades of colour, and uses the woodboard grains as an integral part of the artistic process. Wood is the unifying element which links together the pencil drawing and the acrylic painting in a harmonious mix. Even though the brown dark-to-light shades and the chestnut leaves announce the coming of Winter, the overall impression is a sensation of warmth.
Framed with wood batons – no additional framing required. Ready to hang.
The drawing of a female figure and some dark-green chestnut leaves are the main elements of this “Autumn allegory”. The whole composition is based on neutral tones and natural shades of colour, and uses the woodboard grains as an integral part of the artistic process. Wood is the unifying element which links together the pencil drawing and the acrylic painting in a harmonious mix. Even though the brown dark-to-light shades and the chestnut leaves announce the coming of Winter, the overall impression is a sensation of warmth.
Framed with wood batons – no additional framing required. Ready to hang.
The drawing of a female figure and some dark-green chestnut leaves are the main elements of this “Autumn allegory”. The whole composition is based on neutral tones and natural shades of colour, and uses the woodboard grains as an integral part of the artistic process. Wood is the unifying element which links together the pencil drawing and the acrylic painting in a harmonious mix. Even though the brown dark-to-light shades and the chestnut leaves announce the coming of Winter, the overall impression is a sensation of warmth.
Framed with wood batons – no additional framing required. Ready to hang.
The drawing of a female figure and some dark-green chestnut leaves are the main elements of this “Autumn allegory”. The whole composition is based on neutral tones and natural shades of colour, and uses the woodboard grains as an integral part of the artistic process. Wood is the unifying element which links together the pencil drawing and the acrylic painting in a harmonious mix. Even though the brown dark-to-light shades and the chestnut leaves announce the coming of Winter, the overall impression is a sensation of warmth.
Framed with wood batons – no additional framing required. Ready to hang.
The drawing of a female figure and some dark-green chestnut leaves are the main elements of this “Autumn allegory”. The whole composition is based on neutral tones and natural shades of colour, and uses the woodboard grains as an integral part of the artistic process. Wood is the unifying element which links together the pencil drawing and the acrylic painting in a harmonious mix. Even though the brown dark-to-light shades and the chestnut leaves announce the coming of Winter, the overall impression is a sensation of warmth.
Framed with wood batons – no additional framing required. Ready to hang.
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Leaves Painting

Ilaria Caputo

Italy

Painting, Acrylic on Wood

Size: 26.4 W x 25.2 H x 0.8 D in

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$960

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371 Views
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About The Artwork

The drawing of a female figure and some dark-green chestnut leaves are the main elements of this “Autumn allegory”. The whole composition is based on neutral tones and natural shades of colour, and uses the woodboard grains as an integral part of the artistic process. Wood is the unifying element which links together the pencil drawing and the acrylic painting in a harmonious mix. Even though the brown dark-to-light shades and the chestnut leaves announce the coming of Winter, the overall impression is a sensation of warmth. Framed with wood batons – no additional framing required. Ready to hang.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:26.4 W x 25.2 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Transformation, light and the mixing of old techniques with new materials play a leading role in my recent production. The main link between my works is a quest for harmony, an attempt to describe the inner – and sometimes hidden – elegance of trivial matters. Ethereal female figures inspired by ancient Myths, flowers, fruits, peacocks and other pieces of reality are depicted in my bright figurative style that recalls the great tradition of European painting, especially the analytic approach in describing reality that was typical of both Van Eyck and the Pre-Raphaelites. My strokes are normally clean and the images neat, however I sometimes focus on a specific part of a painting, especially when an unexpected element - such as a Plexiglas layer - is inserted into the composition. In this way, the incredible potentiality of oil painting flourishes through the clear lines of a feature, in opposition to the blurriness of another one. My quest towards the soul of things pushes me often toward portraiture, this wonderful game of mirrors where the individuality of the artist merges into the inner self of the model.

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