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This painting begins in 1926. It was at this time that a photo was taken in the studio of Wojciech Kossak. A photographer came, the men said hello, discussed the details. - Mr. Kaziu, the can you move the horse ... Yet, yet ... oh, oh, okay. Picobello! - Head straight! Oh, that's, that's ... BUCH! He fired the dust of the lamp. 93 years later, this very moment captured on the photographic plate was shown to me by my distant friend A.J. Sparkled. I added color. A.J. he made an idea with the dogs. I threw the wall. I moved everything into the Alpine valley, and painted a well thought-out picture. At the beginning we see the landscape in this picture, with the foreground clearly visible. Then it comes to us that there is some inconsistency here. The horse has no legs, the dogs are quite an exotic addition, and next to the picture painted by Kossak is stuck on the stake. From the picture in the picture on which the shooter is, a rifle bullet flies straight into the heart of its author! OLABOGA! RATUICYE (sic!) Little? In the meta-picture Kossak transforms the prophet of parenthood, prophesying the GREAT LECHIC EMPIRE, under the inspiration of a Horse being the incarnation of Perun, from whose eyes energy is emitted to the information field, which Kossak, through his antenna-head, flows onto the canvas. He paints with lightning, dipping its tip in the names of Mieszko's ancestors. On the WIJ floor he wraps his eye in a triangle (please check the appearance of the audience hall of Pope Francis). A horse carries a scroll of knowledge on its back with an inscription in my private alphabet. I will not try to lecture on what Lechia is and about parenthood more broadly. It's easy to get knowledge online. And here I sensitize stupidity and simplicity to all sorts of things. In my opinion, the Great Lechia theory should be considered in a broad context. An attempt to narrow the topic to the source material stumbles, ridiculing the authors / propagators ad personam is an escape from ignorance. Yes, from ignorance. We have a coherent picture of the world, promoted in the main media, pressed since childhood. Simple, obvious and don't let God undermine him! This is not allowed. Anyone who has entered the psychological security zone does not want to leave his abutment for nothing. No matter if it is Christianity, Islam, atheism ... the pattern is the same - escape from ignorance. Panic fear of no response. Before I know it clearly and firmly. In my opinion, the hypothesis of the existence of forgotten civilizations in the past can be defended and I am extremely irritated by rejecting it a priori. This image is multilevel and shows the complexity of history in a metaphorical way. We would like a binary world. Specified. One where everything is easy. Fortunately, this is not the case. It is colorful and multilevel.
This painting begins in 1926. It was at this time that a photo was taken in the studio of Wojciech Kossak. A photographer came, the men said hello, discussed the details. - Mr. Kaziu, the can you move the horse ... Yet, yet ... oh, oh, okay. Picobello! - Head straight! Oh, that's, that's ... BUCH! He fired the dust of the lamp. 93 years later, this very moment captured on the photographic plate was shown to me by my distant friend A.J. Sparkled. I added color. A.J. he made an idea with the dogs. I threw the wall. I moved everything into the Alpine valley, and painted a well thought-out picture. At the beginning we see the landscape in this picture, with the foreground clearly visible. Then it comes to us that there is some inconsistency here. The horse has no legs, the dogs are quite an exotic addition, and next to the picture painted by Kossak is stuck on the stake. From the picture in the picture on which the shooter is, a rifle bullet flies straight into the heart of its author! OLABOGA! RATUICYE (sic!) Little? In the meta-picture Kossak transforms the prophet of parenthood, prophesying the GREAT LECHIC EMPIRE, under the inspiration of a Horse being the incarnation of Perun, from whose eyes energy is emitted to the information field, which Kossak, through his antenna-head, flows onto the canvas. He paints with lightning, dipping its tip in the names of Mieszko's ancestors. On the WIJ floor he wraps his eye in a triangle (please check the appearance of the audience hall of Pope Francis). A horse carries a scroll of knowledge on its back with an inscription in my private alphabet. I will not try to lecture on what Lechia is and about parenthood more broadly. It's easy to get knowledge online. And here I sensitize stupidity and simplicity to all sorts of things. In my opinion, the Great Lechia theory should be considered in a broad context. An attempt to narrow the topic to the source material stumbles, ridiculing the authors / propagators ad personam is an escape from ignorance. Yes, from ignorance. We have a coherent picture of the world, promoted in the main media, pressed since childhood. Simple, obvious and don't let God undermine him! This is not allowed. Anyone who has entered the psychological security zone does not want to leave his abutment for nothing. No matter if it is Christianity, Islam, atheism ... the pattern is the same - escape from ignorance. Panic fear of no response. Before I know it clearly and firmly. In my opinion, the hypothesis of the existence of forgotten civilizations in the past can be defended and I am extremely irritated by rejecting it a priori. This image is multilevel and shows the complexity of history in a metaphorical way. We would like a binary world. Specified. One where everything is easy. Fortunately, this is not the case. It is colorful and multilevel.
This painting begins in 1926. It was at this time that a photo was taken in the studio of Wojciech Kossak. A photographer came, the men said hello, discussed the details. - Mr. Kaziu, the can you move the horse ... Yet, yet ... oh, oh, okay. Picobello! - Head straight! Oh, that's, that's ... BUCH! He fired the dust of the lamp. 93 years later, this very moment captured on the photographic plate was shown to me by my distant friend A.J. Sparkled. I added color. A.J. he made an idea with the dogs. I threw the wall. I moved everything into the Alpine valley, and painted a well thought-out picture. At the beginning we see the landscape in this picture, with the foreground clearly visible. Then it comes to us that there is some inconsistency here. The horse has no legs, the dogs are quite an exotic addition, and next to the picture painted by Kossak is stuck on the stake. From the picture in the picture on which the shooter is, a rifle bullet flies straight into the heart of its author! OLABOGA! RATUICYE (sic!) Little? In the meta-picture Kossak transforms the prophet of parenthood, prophesying the GREAT LECHIC EMPIRE, under the inspiration of a Horse being the incarnation of Perun, from whose eyes energy is emitted to the information field, which Kossak, through his antenna-head, flows onto the canvas. He paints with lightning, dipping its tip in the names of Mieszko's ancestors. On the WIJ floor he wraps his eye in a triangle (please check the appearance of the audience hall of Pope Francis). A horse carries a scroll of knowledge on its back with an inscription in my private alphabet. I will not try to lecture on what Lechia is and about parenthood more broadly. It's easy to get knowledge online. And here I sensitize stupidity and simplicity to all sorts of things. In my opinion, the Great Lechia theory should be considered in a broad context. An attempt to narrow the topic to the source material stumbles, ridiculing the authors / propagators ad personam is an escape from ignorance. Yes, from ignorance. We have a coherent picture of the world, promoted in the main media, pressed since childhood. Simple, obvious and don't let God undermine him! This is not allowed. Anyone who has entered the psychological security zone does not want to leave his abutment for nothing. No matter if it is Christianity, Islam, atheism ... the pattern is the same - escape from ignorance. Panic fear of no response. Before I know it clearly and firmly. In my opinion, the hypothesis of the existence of forgotten civilizations in the past can be defended and I am extremely irritated by rejecting it a priori. This image is multilevel and shows the complexity of history in a metaphorical way. We would like a binary world. Specified. One where everything is easy. Fortunately, this is not the case. It is colorful and multilevel.
This painting begins in 1926. It was at this time that a photo was taken in the studio of Wojciech Kossak. A photographer came, the men said hello, discussed the details. - Mr. Kaziu, the can you move the horse ... Yet, yet ... oh, oh, okay. Picobello! - Head straight! Oh, that's, that's ... BUCH! He fired the dust of the lamp. 93 years later, this very moment captured on the photographic plate was shown to me by my distant friend A.J. Sparkled. I added color. A.J. he made an idea with the dogs. I threw the wall. I moved everything into the Alpine valley, and painted a well thought-out picture. At the beginning we see the landscape in this picture, with the foreground clearly visible. Then it comes to us that there is some inconsistency here. The horse has no legs, the dogs are quite an exotic addition, and next to the picture painted by Kossak is stuck on the stake. From the picture in the picture on which the shooter is, a rifle bullet flies straight into the heart of its author! OLABOGA! RATUICYE (sic!) Little? In the meta-picture Kossak transforms the prophet of parenthood, prophesying the GREAT LECHIC EMPIRE, under the inspiration of a Horse being the incarnation of Perun, from whose eyes energy is emitted to the information field, which Kossak, through his antenna-head, flows onto the canvas. He paints with lightning, dipping its tip in the names of Mieszko's ancestors. On the WIJ floor he wraps his eye in a triangle (please check the appearance of the audience hall of Pope Francis). A horse carries a scroll of knowledge on its back with an inscription in my private alphabet. I will not try to lecture on what Lechia is and about parenthood more broadly. It's easy to get knowledge online. And here I sensitize stupidity and simplicity to all sorts of things. In my opinion, the Great Lechia theory should be considered in a broad context. An attempt to narrow the topic to the source material stumbles, ridiculing the authors / propagators ad personam is an escape from ignorance. Yes, from ignorance. We have a coherent picture of the world, promoted in the main media, pressed since childhood. Simple, obvious and don't let God undermine him! This is not allowed. Anyone who has entered the psychological security zone does not want to leave his abutment for nothing. No matter if it is Christianity, Islam, atheism ... the pattern is the same - escape from ignorance. Panic fear of no response. Before I know it clearly and firmly. In my opinion, the hypothesis of the existence of forgotten civilizations in the past can be defended and I am extremely irritated by rejecting it a priori. This image is multilevel and shows the complexity of history in a metaphorical way. We would like a binary world. Specified. One where everything is easy. Fortunately, this is not the case. It is colorful and multilevel.
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LECH EMPIRE Painting

Marek Pękacz

Poland

Painting, Oil on Canvas

Size: 45.3 W x 31.5 H x 1.2 D in

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About The Artwork

This painting begins in 1926. It was at this time that a photo was taken in the studio of Wojciech Kossak. A photographer came, the men said hello, discussed the details. - Mr. Kaziu, the can you move the horse ... Yet, yet ... oh, oh, okay. Picobello! - Head straight! Oh, that's, that's ... BUCH! He fired the dust of the lamp. 93 years later, this very moment captured on the photographic plate was shown to me by my distant friend A.J. Sparkled. I added color. A.J. he made an idea with the dogs. I threw the wall. I moved everything into the Alpine valley, and painted a well thought-out picture. At the beginning we see the landscape in this picture, with the foreground clearly visible. Then it comes to us that there is some inconsistency here. The horse has no legs, the dogs are quite an exotic addition, and next to the picture painted by Kossak is stuck on the stake. From the picture in the picture on which the shooter is, a rifle bullet flies straight into the heart of its author! OLABOGA! RATUICYE (sic!) Little? In the meta-picture Kossak transforms the prophet of parenthood, prophesying the GREAT LECHIC EMPIRE, under the inspiration of a Horse being the incarnation of Perun, from whose eyes energy is emitted to the information field, which Kossak, through his antenna-head, flows onto the canvas. He paints with lightning, dipping its tip in the names of Mieszko's ancestors. On the WIJ floor he wraps his eye in a triangle (please check the appearance of the audience hall of Pope Francis). A horse carries a scroll of knowledge on its back with an inscription in my private alphabet. I will not try to lecture on what Lechia is and about parenthood more broadly. It's easy to get knowledge online. And here I sensitize stupidity and simplicity to all sorts of things. In my opinion, the Great Lechia theory should be considered in a broad context. An attempt to narrow the topic to the source material stumbles, ridiculing the authors / propagators ad personam is an escape from ignorance. Yes, from ignorance. We have a coherent picture of the world, promoted in the main media, pressed since childhood. Simple, obvious and don't let God undermine him! This is not allowed. Anyone who has entered the psychological security zone does not want to leave his abutment for nothing. No matter if it is Christianity, Islam, atheism ... the pattern is the same - escape from ignorance. Panic fear of no response. Before I know it clearly and firmly. In my opinion, the hypothesis of the existence of forgotten civilizations in the past can be defended and I am extremely irritated by rejecting it a priori. This image is multilevel and shows the complexity of history in a metaphorical way. We would like a binary world. Specified. One where everything is easy. Fortunately, this is not the case. It is colorful and multilevel.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:45.3 W x 31.5 H x 1.2 D in

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Marek Pękacz , a Painter and a scientific fantasist. He extends his privacy zone to the items he creates. In his painting he combines first-class technical proficiency with the concepts inspired by the world of science. Content hidden In the objects represents only a part of the open text. He always leaves in his hands the key to the complete decryption of his works, which allows him never to part with his work. Some content is hidden in the form of metapicture painted in ink visible only under UV light. Another time these are symbols, binary or text written with letters of its own alphabet. He combines conceptual art with classical painting, sometimes with sculpture and applied arts. He calls his paintings OBJECTS. They contain a comprehensive description of the idea in the form of plain text, as well as an encrypted part, hidden in the image. In addition, he creates a layer of metaimage visible only in ultraviolet light, which is usually a graphic synthesis of IDEA, which is the clou of of the object. Hyper-realistic images are treated as packaging for his ideas.

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