Let the crock smoke dope Painting

Urban Mythologies Bourgeois looking afadigadamente oil paintings, believing that only those is providing the antiquity and genealogy of the medium, would this author a surprise as to the credibility of representations from movie heroes animated film of dolls and urban simulations, dirt, graffiti, drawings, childhood, all on the same screen, "collage" here and there, the risk strikethrough, faces photograph or patterned ink and hand. This is Leo? The contemporary bourgeois, intoxicated by collectors values, worth say yes - and see it to buy, delightedly, quenching, water paint, acrylic. Of course David Rosado have nothing to do with it, it is today painter, not the Renaissance or some Florentine family. It was only to make the point of archaisms that confuse the stock market with the oil price in the paint. Rosado Feign collage figures and everyday scenes, as in a transplant advertising wall to the screen. Images that mixture have a strong component of doing so, the ink is left, the funds that flow but live in a cynical or sarcastic promiscuity. This work is clearly playful, to our eyes, to our view, and the exercise of intellectual order that the visual transits and their awards oblige us. But that drags another side of research, data evaluation of representation of citizens aware of the cartoon dolls configuration or parietal gestures; and, on the other hand the sliding of the image in terms of historical reference limit in time, the twentieth century in fact splashes, innuendo and lies: lies q gives us to see the real and so (let us return to Klee) that actually makes visible. If the rats' carnal 'also populate this world of continuous illusions, fantasies, and modeling as lust, it can set us a dichotomous analytical way, the world of' dubious figures that oscillate between admiration and disgust, "in the words of Hugo Dinis in the catalog text. He also tells us, with all the opportunity in the "dirtier and depressing there in the cities." Transporting all this kaleidoscope for the space of fiction cinema, walls thus with pictures like these along the streets, among the ruins and the notorious shortage of all, we would end up anticipating the future, art as reductive urgency, anyway, dizzying, sandwiched here and there marking Mickey Mouse, Topo Gigio, Speed ​​Gonzalez, among others. Here also implies another formal and content hypothesis, the decay of cities and old palaces in modern spoken societies, half broken, useless as "Blade Runner", the luxury to cohabit with urban waste, toxic substances, rats, the plague the lucid and very human voice Camus. David Rosado, moreover, get all this for an "urgency to defame the painting." Hugo Dinis touches this issue with relevance, because the likelihood of things and beings shows a resumable ability at any time, ie it is not therefore be less or more than the painting is worth our delight. Now there is no time for daydreaming, here are our urban myths, the heroes of the show and all luxury alternes of civilized Europe. What is needed is to report that these forms have their own life, separate the autonomy of the board itself, which is a new level to explain the major disasters of our civilization, rotting, made of pieces of huge scams on the body and on The spirit. Plenty of images increasingly consumables, to our eyes, the horror of an increasingly busy world of waste, confused, crossed by fleeting appearances and shops or cultural industries, the show, all about gray backgrounds, useless in support of the visual cacophony at the same time arrogant and humble, comprehensive and restricted in the southern demographics, boys in the mud, the stock of another culture without industry or market, where hunger kills and diseases destroy the fruits of an even legitimate fertility. I quote, just to finish, one more sentence of Hugo Dinis: "The dangerousness of beautiful images can be devastating for a political significance." I will say, for me, that these beautiful images are not coerced by indifference and win in the field of ideology of witness. Text: Rocha de Sousa

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:55.1 W x 55.1 H x 1.6 D in

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.